Korean Reviews Reviews

Film Review: Friend 2: The Great Legacy (2013) by Kwak Kyung-taek

“Friend” (2001) is one of the most important productions in the history of the contemporary Korean Cinema, since it was among the films that  turned the local’s attention to local titles after many years, and even became the highest grossing South Korean movie of all time from 2001 to 2003. Thus, a sequel was bound to happen at some point, with managing to do so more than a decade later

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The original told the story of four friends. Joon-seok, whose father was a mob boss, a position he acquired himself later on, Dong-su, who later joined a rival gang, Jung-ho, the class clown, and Sang-taek, the only one who utterly escaped any mob taints. At the end of the first film, Dong-su is murdered and in the subsequent trial, Joon-seok pleads guilty and ends up in prison.

The sequel begins 17 years after those incidents, when Dong-su’s son, Sung-hoon, who has also become a mobster, gets into jail for severely traumatizing his stepfather, after he witnesses him hurting his mother, Hye-ji. He ends up in the same prison Joon-seok is, and Hye-ji pleads to her husband’s old friend to help him stay safe, since he is the undisputed leader of the convicts in the facility. He agrees and a father-son relationship initiates between the two, that becomes even stronger, when Joon-seok is released only to find his old subordinate, Eun-ki having usurped the leadership of the gang. In order to remove him, he asks help from his old comrades and Sung-hoon’s gang. Eventually though, the latter learns of the reason Dong-su was in prison, a knowledge that complicates their relationship.

Kwak Kyung-taek directs a film that shouts big-budget from the beginning, a fact that becomes even more obvious as the story unfolds, with impressive action scenes, plethora of exterior shots and the many extras appearing throughout its duration. Additionally, he has entailed some comic elements, a bit of drama and some overtly violent scenes, which altogether, amount to the quintessence of the Korean action flick.

However, the almost constant flashbacks and the desperate effort to include as many notions, facts and incidents in the film, end up in a somewhat disjointed outcome that even becomes tiresome with all these chronological back and forths, with the editing of Simon K. Part presenting many issues in that regard. Moreover, the acting is mediocre, particularly from who plays Sung-hoon, whose role mostly consists of him parading his evident good looks around the film. On the other hand, is once more great as Joon-seok, in the role that netted him the Best Actor Award from the Asia-Pacific Festival, in the original film.

“Friend: The Legacy” is a visually impressive film that will satisfy almost every fan of action movies, although it is obviously a step under the original, particularly due to its direction and acting.

About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

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