Japanese Reviews Reviews

Short Film Review: Ghost Limb (2024) by Yasuyuki Nakahira

"A forest, an old building and a knife."

A good short feature can often show the talent of the people involved, especially the skill of the director as a visual storyteller. Creating a certain atmosphere and setting the mood are essential, while also establishing an interesting premise the audience would like to know more about. In the case of 's “”, who also created the short features “Dark Blue Forest” and “Ninth Rhizome”, there are certainly some aspects which are worth noteworthy, even though the overall production fails to excite its viewer.

Ghost Limb is screening at Japan FilmFest Hamburg

The story centers around Mao (), a picture book writer, who has been in therapy for quite some time as she is plagued by strange dreams and visions. In one of her recent dreams she is in a forest, feeling a vague sensation of dread and anxiety, especially as she enters an old cabin. As her story continues she makes the connection between what she has dreamed and a series of killings ten years ago. Tracing back her memories to the mysterious Forest of Birds, Mao is about to find out whether she was actually involved in the murders so many years ago.

According to its description on its YouTube page, “Ghost Limb” is “based on research into the theme of “borders” done at Rakudosha, an outdoor art space in Shizuoka Prefecture”. While you can debate about many aspects of the production, you most certainly have to admit how Yasuyuki manages to set the tone for his feature. The depiction of the forest and the combination of imagery, music and lighting is quite well-done, moody and highlights the surreal notes of the story. It creates a dream-like atmosphere, while also giving subtle hints about what may be going on with the main character.

Aspects such as mood and atmosphere are nicely done, but since they are not supported by a good story, some of it falls flat. “Ghost Limb” manages to create singular, nice images, but as a whole the feature is too confusing and really does not know where to go, which is quite ironic as the main character seems to spend most of her time stumbling around a forest. Maho Natsume as the protagonist does a solid job and it would have been beneficial if the story would stick with her, instead of losing itself with some of the other characters whose “stories” are less compelling. In the end, we are given hints but nothing concrete, making the mood the only aspect which stands out in an otherwise forgettable feature.

“Ghost Limb” is more of a mood piece, since its story and characters are not memorable.

About the author

Rouven Linnarz

Ever since I watched Takeshi Kitano's "Hana-Bi" for the first time (and many times after that) I have been a cinephile. While much can be said about the technical aspects of film, coming from a small town in Germany, I cherish the notion of art showing its audience something which one does normally avoid, neglect or is unable to see for many different reasons. Often the stories told in films have helped me understand, discover and connect to something new which is a concept I would like to convey in the way I talk and write about films. Thus, I try to include some info on the background of each film as well as a short analysis (without spoilers, of course), an approach which should reflect the context of a work of art no matter what genre, director or cast. In the end, I hope to pass on my joy of watching film and talking about it.

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