Presenting the social realist film, Factory Boss, at the New York Asian Film Festival, director Zhang Wei talks to Renee Ng, reflecting on the film's...
Author - Adriana Rosati
On paper I am an Italian living in London, in reality I was born and bread in a popcorn bucket. I've loved cinema since I was a little child and I’ve always had a passion and interest for Asian (especially Japanese) pop culture, food and traditions, but on the cinema side, my big, first love is Hong Kong Cinema. Then - by a sort of osmosis - I have expanded my love and appreciation to the cinematography of other Asian countries. I like action, heroic bloodshed, wu-xia, Shaw Bros (even if it’s not my specialty), Anime, and also more auteur-ish movies. Anything that is good, really, but I am allergic to rom-com (unless it’s a HK rom-com, possibly featuring Andy Lau in his 20s)"
On the occasion of their film Where is the Lie screening at New York Asian Film Festival, Quark Henares and Royce Cabrera speak to Panos Kotzathanasis about...
On the occasion of his film “Winny” screening at Japan Cuts, we speak about his career after “Noise” and until now, the actual case the...
Speaking during the ACA Cinema Project series The Female Gaze: Women Filmmakers from Japan Cuts and Beyond, director Mayu Nakamura talks to Tom Wilmot about...
On the occasion of their film The Effects of Lying (all socials: @teolmovie) screening at New York Asian Film Festival, director Isher Sahota and producer Jon...
On the occasion of her film Gaga screening at New York Asian Film Festival, Laha Mebow talks to Panos Kotzathanasis about the last part of her Atayal trilogy...
“Today has been an extremely confusing day”
"Thank you for calling"
Adam Symchuk looks at the impressive and massive release of Mari Yamazaki's “Thermae Romae: The Complete Omnibus,” available through Yen Press.
On the occasion of Kennedy screening at BIFAN, Anurag Kashyap and Rahul Bhat talk to Panos Kotzathanasis about who is running the country, corruption in India...