Bor Ocampo's "Moneyslapper" is stubborn, defiant, and audacious—everything an independent film should be.
Bor Ocampo's "Moneyslapper" is stubborn, defiant, and audacious—everything an independent film should be.
Probably the only country whose cinema can rival the Japanese freedom of expression is the Philippines, where art, however, seems to come from completely...
"Don't believe in the sweet words of the Americans"
