On the occasion of his film, Inshallah A Boy screening at Thessaloniki Film Festival, Panos Amjad Al Rasheed talks to Panos Kotzathanasis about the success of his debut, the law that was inspiration for the story, the situation of women in Jordan, the casting and the cinematography, the Jordanian film industry, and many other topics.
On paper I am an Italian living in London, in reality I was born and bread in a popcorn bucket. I've loved cinema since I was a little child and I’ve always had a passion and interest for Asian (especially Japanese) pop culture, food and traditions, but on the cinema side, my big, first love is Hong Kong Cinema. Then - by a sort of osmosis - I have expanded my love and appreciation to the cinematography of other Asian countries. I like action, heroic bloodshed, wu-xia, Shaw Bros (even if it’s not my specialty), Anime, and also more auteur-ish movies. Anything that is good, really, but I am allergic to rom-com (unless it’s a HK rom-com, possibly featuring Andy Lau in his 20s)"
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