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The 70th Mainichi Film Awards : Here are the winners and a brief history of the awards

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The awards were first introduced in 1946 by the Mainichi Shinbun (毎日新聞) newspaper, which is the oldest daily Japanese one, since it has been on circulation since 1872. Nowadays, it is one of the three largest in the country, and it is noteworthy that two of its general directors were elected Prime Ministers.

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The first winners were:

Best Film: Aru yo no tonosama (Teinosuke Kinugasa)
Best Firector: Tadashi Imai (Minshu no teki)
Best Script: Osone ke no ashita (Eijiro Hisaita)
Best Actor: Eitaro Ozawa (Osone ke no ashita)
Best Soundtrack: Minshu no teki (Fumio Hayasaka)

Since 1962, a year after the death of Noburo Ofuji, one of the pioneers of Japanese anime, a new award was introduced in his name, for the best anime of the season. The first winner was Osamu Tezuka, with “Story of a Certain Street Corner.”With the rise of the anime industry during the 80’s, the major studios started dominating the award, against the small independent ones, who were those the award was initially created for. To address the issue, the awards’ commitee presented the Best Animated Film award for the major productions and the Ofuji focused once more to the independent ones. The first winner of the new award was Hayao Miyzaki’s “Kiki’s Delivery Service.”

In 1986, a new award was introduces to honor Τakaka Kinuyo, ine of the most important actresses of the country and the second one to direct a film, which is always presented to a woman, for her efforts in the field.

The award ceremony was held on 20 February 2016 at the Muza Kawasaki Symphony Hall and the winners were:

Here are the 70th Mainichi Film Award Winners

Award of Excellence in Japanese Cinema: Journey to the Shore ()
Best Foreign Film: Birdman (Alejandro Inaritu)
Best Director: Shinya Tsukamoto ()
Best Screenplay: Masato Harada (Kakekomi)
Best Actor: (Fires on the Plain)
Best Actress: Haruka Ayase ()
Best Supporting Actor: Kenichi Kato (Living With My Mother)
Best Supporting Actress: Masami Nagasawa (Our Little Sister)
Sponichi Grand Prize for New Actor: Yojiro Noda (Pieta in the Toilet ), Ryoko Fujino (Solomon’s Perjury)
The Tanaka Kinuyo Award: Kaori Momoi
Best Cinematography: Jinichi Fujisawa (Solomon’s Perjury)
Best Art Direction: Tetsuo Harada (Japan’s Longest Day)
Best Music: Ryuichi Sakamoto (Living with My Mother)
Best Sound Recording: Takeshi Ogawa (Three Stories of  Love)
Best Documentary: Okinawa: Urizun no ame (John Junkerman)
Best Animated Film: Miss Hokusai (Keiichi Hara)
The Ofuji Noburo Award: Suijun Genten (Ryo Orikasa)
Tsutaya Fan Award, Best Japanese Film: The Curtain Rises ()
Tsutaya Fan Award, Best Foreign Film: Mission: Impossible – Rogue Nation (Christopher McQuarrie)
Special Award: Kazunori Kushiketa (Cinemarine manager), Shinobu Hashimoto (Screenwriter)   Kawasaki Cinema Award: Ogawacho Serenade ()

Kaori Momoi

About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

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