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SE Asian Films in the Cannes Film Festival

Nine films from SE Asia will feature this year in the biggest European film festival, while Naomi Kawase (Still the Water, An) will be President of The Cinéfondation and Short Films Jury.

The Handmaiden. returns to Cannes after 2009 and “Thirst.” For more information about the film, take a look here.

. Directed from festival’s regular, Philippino . Not much is known regarding the film.

The Wailing. Na Hong-jin’s third time in the festival, after “The Chaser” and “The Yellow Sea.”  Set in a remote village set into turmoil by a series of deaths, his ultra-stylish new film is told from the perspective of a police detective who comes to suspect that the crimes have something to do with his own daughter.

. has been a regular of the festival for many years.  This year he presents a drama with Hiroshi Abe in the role of  an award-winning writer who’s stuck in debt due to his gambling habit. He’s got a strained relationship with his aging mother (Kirin Kiki), ex-wife and son, struggling to take back control of his existence until a stormy summer night.

. Singaporean ‘s second feature revolves around Aiman,  28-year-old Malay correctional officer who is recently transferred to the territory’s top prison. He lives with his older sister Suhaila in a modest housing estate. At his new workplace, Aiman begins to take an interest in a 65-year-old sergeant named Rahim.

. Japanese director ‘s sixth feature, tells the story of Toshio, the owner of a small workshop in a country village in Japan. Pic, which has just started shooting, stars Kanji Furutachi (“Hospitalite”) and Tadanobu Asano (“Journey to the Shore”).

. Korean Yeon Sang-ho became known through his animated films “The King of Pigs” and “The Fake”. “Train to Busan” is his first live-action film.

In the Cinefondation section that focuses on films made by students at film schools, Philippino Raymund Gutierrez will present “Imago” and Korean Park Young-ju “1Kilogram“.

Lastly, Cambodian Rithy Panh, another regular, will present “Exil” in a special screening

About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

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