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Short Film Review: Snapshots of Tokyo (2019) by Jaim Cleeland

Cleeland continues his visual trips to the iconoclastic world of the extreme, through another short/video that this time combines noise music with various images of Tokyo and drawings.

In that fashion, we watch various “symbols” as Ultraman and other manga/anime characters with a clown dressed in woman’s underwear masturbating, along with various installations and strange images, like a man is an astronaut costume. Paper caricatures of sumo wrestlers placed in a rocky area, a man with different masks pouring a dark liquid over him inside a bathroom complete this rather unusual short.

Cleeland directs a 5 minute short that is more a video installation than a film, with the world “disturbing” being the most fitting one to describe the combination of image and music. The result however, is great sample of modern art, although it definitely takes an open mind to appreciate what Cleeland does with his. Fans of (mainstream) movies may have a hard time with this, but the place of “Snapshots of Tokyo” is definitely in a modern gallery, which seems to be the place Jaim’s works are heading, in Japan

About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

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