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Short Film Review: Saotome: A young woman rice planter (2018) by Tokio Oohara

A young couple finds the simplicity of their life as rice planters causing a strain in their relationship, with the titular seemingly unhappy and wanting more from life than the humble job of a rice planter. After a day in the field, she has a change of heart and finds reason to let love back into her heart.

“Saotome”‘s greatest success lies within it's ability to romanticize something that would otherwise be seen as mundane. It captures this by focusing on the life of rice pickers, working diligently through the rain and coming together to support each other. The cinematography and score are both geared towards capturing simple beauties, and despite a rather sub par audio and visual presentation due to quality, still manages to create visual intrigue.

The dialogue in the film is minimalist, instead favoring atmosphere to convey the found beauty of the life of a rice planter. Following the day of a group of workers, the honesty and perseverance of their work are conveyed in a romantic fashion, which signifies Saotome's change in attitude. The narrative is served well through this message, and a lot is conveyed through silence and atmosphere. However, the film's subtext doesn't do a great job of explaining the final statement, as although Saotome finds solace in her lover, she gives a statement which leads the viewer to believe there is still something wrong with her choosing to stay. Unfortunately, the saddening conclusion, leads more to confusion in the titular character struggles.

Director manages to craft a profound moment of lovers uniting towards a better future, and the minimalist approach allows the viewer to take in the simplistic joy of a smaller community working together. Unfortunately, the film falls short of properly exploring all facets of the relationship, and leaves with an awkward, unanswered revelation. Having previously covered his film “Summer Purification” I certainly have some admiration for the emotional strength of the directors' works, leaving me with faith in the directors future productions as she further develops her creative voice.

About the author

Adam Symchuk

Adam Symchuk is a Canadian born freelance writer and editor who has been writing for Asian Movie Pulse since 2018. He is currently focused on covering manga, manhwa and light novels having reviewed hundreds of titles in the past two years.

His love of film came from horror and exploitation films from Japan that he devoured in his teens. His love of comics came from falling in love with the works of Shuzo Oshimi, Junji Ito, Hideshi Hino, and Inio Asano but has expanded to a general love of the medium and all its genres.

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