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Trailer for Upcoming Korean Film The Man Standing Next by Woo Min-ho

The first major film release of 2020 looks set to be director 's newest film, the political thriller “”, which sees the director return to his “Inside Men” leading man and the trailer promises the same intensity that film carried.

Synopsis

AN UNTOLD STORY OF THE KOREAN CENTRAL INTELLIGENCE AGENCY (KCIA), AND ITS POLITICAL MANEUVERING IN THE 1970S
In the 1970s, Korea is under the absolute control of the President Park who controls the KCIA, the organization with an edge over any branch of government. The director of KCIA, Kim Gyu-pyeong, is the seemingly most prospective second-in-command. In the midst of reign of fear, a former KCIA director, Park Yong-gak who knows all about the government's obscure operations, exiles to the U.S. where the investigation of ‘Koreagate' is underway. As the tension escalates, the stifling political maneuvering by the all second-in-command's unfolds.

Lee Byung-hun takes up the role of the Kim Gyu-pyeong, whose name has been changed here from his real-life counterpart Kim Jae-gyu, the man responsible for the assassination of President Park, who will be portrayed by . Character actor plays Park Yong-gak whereas Lee Lee-joon plays Chief Office Kwak Sang-cheon. The film is slated to release in Korean some point in January, 2020.

About the author

Rhythm Zaveri

Hello, my name is Rhythm Zaveri. For as long as I can remember, I've been watching movies, but my introduction to Asian cinema was old rental VHS copies of Bruce Lee films and some Shaw Bros. martial arts extravaganzas. But my interest in the cinema of the region really deepened when I was at university and got access to a massive range of VHS and DVDs of classic Japanese and Chinese titles in the library, and there has been no turning back since.

An avid collector of physical media, I would say Korean cinema really is my first choice, but I'll watch anything that is south-east Asian. I started contributing to Asian Movie Pulse in 2018 to share my love for Asian cinema in the form of my writings.

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