HBO Asia, the Asian arm of the American premium TV channel second venture into the world of wuxia, focuses on another iconic Chinese folk hero,Wong Kei-ying.

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Wong Kei-ying is a quiet and honest physician, who spends his life upholding medical ethics and saving lives, while avoiding conflicts and politics. However, China in the mid-19th century is swarming with opium, with a number of opposing powers trying to control its distribution, while the consequences lay heavy on the populace, from kids to the elderly. The new governor of Canton, General Wei tricks Wong into helping him take control of the opium control from the Ma gang, who are the chief distributors, and subsequently, tasks him (supposedly) to find a cure for the addiction. The first task ends up with the beaten leaders of the Ma gang becoming Wong’s friends, and the second with him becoming addicted to opium as he tests therapies on himself. However, when he realizes the cruel and cunning nature of his “ally”, he decides to fight against him. In this effort, he receives a martial arts manual from his mentor, that teaches him the Shadowless Kick skill. His enemies though, are expecting him.

Guo Jian-yong improved two factors, compared with “Master of the Drunken Fist: Beggar So” The first one is that the melodramatic and romantic elements are much less, and the second, subsequently, that the action is much more, and even more impressive. In this last aspect, the fact that this film is much more violent and gory, definitely helps the action, as it brings it much closer to the Shaw Brothers wuxia films. This trait finds its apogee in the final fight, which is elaborate as it is lengthy, with the duel among different styles of martial arts presenting a very entertaining outcome. The one in the rain is also well-shot.

Regarding the first aspect, the film benefits the most from Sun Hao’s acting, who is quite convincingg in both the dramatic and the action scenes, within the reasonable, of course, hyperbole of the wuxia genre. Furthermore, the concept of drug addiction gives another level to the film, more meaningful, without though, faulting the entertainment aspect.

As is the case with “Beggar So”, the overall production is impressive, and highlights its big budget, particularly in the presentation of the era and the various settings, especially since we are actually talking for a TV movie. However, it seems that the era in the present film makes a much more appealing set, through the combination of the old and the contemporary

“Master of the Shadowless Kick: Wong Kei-ying” has its faults, with the melodramatic element being, once more, a bit excessive, but it is obvious that both the director and the crew are improving. Overall, the film is one that wuxia fans will definitely enjoy.

“Master of the Shadowless Kick: Wong Kei-ying” is available for streaming on Amazon

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My name is Panos Kotzathanasis and I am Greek. Being a fan of Asian cinema and especially of Chinese kung fu and Japanese samurai movies since I was a little kid, I cultivated that love during my adolescence, to extend to the whole of SE Asia. Starting from my own blog in Greek, I then moved on to write for some of the major publications in Greece, and in a number of websites dealing with (Asian) cinema, such as Taste of Cinema, Hancinema, EasternKicks, Chinese Policy Institute, and of course, Asian Movie Pulse. in which I still continue to contribute. In the beginning of 2017, I launched my own website, Asian Film Vault, which I merged in 2018 with Asian Movie Pulse, creating the most complete website about the Asian movie industry, as it deals with almost every country from East and South Asia, and definitely all genres. You can follow me on Facebook and Twitter.