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Short Film Review: The Shape of You (2020) by Goh Ming Siu and Scott C. Hillyard

Staying idle while you are bursting with creativity does not seem to be an option for the duo behind “Repossession“, even during the strict quarantine laws of Singapore. The result of this mentality is a surprisingly intriguing 4+ minutes short, which seems to dictate the way the two of them should follow for the rest of their filmmaking career.

The story revolves around a man in Singapore during quarantine, who, tired of watching every kind of porn on his cellphone (including Japanese ones), decides to call his girlfriend over to deal with the real thing, despite the quarantine laws. His girlfriend agrees, but things do not go as planned for this cowardly, lazy (he did invite her over instead of going himself after all), lustful individual.

There are some plot twists that forbid from delving into the short more, but what can be said is that Goh Ming Siu and found an ingenious way to speak metaphorically about the consequences of breaking the law, within genre “rules”.

Having to shoot and produce the film remotely, due to quarantine restrictions, not much could be done about its visuals. To deal with this issue, the directors turned their attention to sound, with Golden Horse Award-winner Teo Wei Yong doing a great job in both sound and music, in a style that has the events implied eloquently, instead of actually presented, a tactic that works quite nicely.

Not much more to say, “” is one of those shorts that definitely deserves a watch. Take a look at the link beneath.

About the author

Panos Kotzathanasis

My name is Panos Kotzathanasis and I am Greek. Being a fan of Asian cinema and especially of Chinese kung fu and Japanese samurai movies since I was a little kid, I cultivated that love during my adolescence, to extend to the whole of SE Asia.

Starting from my own blog in Greek, I then moved on to write for some of the major publications in Greece, and in a number of websites dealing with (Asian) cinema, such as Taste of Cinema, Hancinema, EasternKicks, Chinese Policy Institute, and of course, Asian Movie Pulse. in which I still continue to contribute.

In the beginning of 2017, I launched my own website, Asian Film Vault, which I merged in 2018 with Asian Movie Pulse, creating the most complete website about the Asian movie industry, as it deals with almost every country from East and South Asia, and definitely all genres.

You can follow me on Facebook and Twitter.

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