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Short Film Review: The Sculpture of Place and Time (2019) by Tatsuhito Utagawa

Phnom Penh-based dancer — a Cambodian-American and pioneer of the first Cambodian gay dance company Prumsodun Ok & NATYARASA — demonstrates the meticulous form of Khmer dance. His body movement is mesmerizing to watch, as occasionally it feels like watching a statue moving. The part that truly stands out however, are his hands, with the angles they bend and their movement giving an almost uncanny sense to the dance. Eventually, a narration in a very low voice and with a style that emits mysticism from every word states that this dance is actually a prayer, love and caring for each other.

The Sculpture of Place and Time” is screening at Japan Cuts

Gradually, the ritualistic sound gives its place to the ambient sound of waves and Prumsodm Ok continues his dance, although in a traditional attire.

Ok's movements are truly impressive to behold, while the narration provides a sense of context for the 8-minute short, by connecting the dancing with spiritualism, and in essence, peace.

The black and white cinematography works quite well here, adding to the sense of calmness, which is only interrupted by the intense movements of Ok's fingers.

Considering its experimental nature and its duration, “The Sculpture of Place and Time” is a spectacle more fit for an installation in a museum. However, there is beauty and power here, and fans of art and dance will definitely enjoy the show.

About the author

Panos Kotzathanasis

My name is Panos Kotzathanasis and I am Greek. Being a fan of Asian cinema and especially of Chinese kung fu and Japanese samurai movies since I was a little kid, I cultivated that love during my adolescence, to extend to the whole of SE Asia.

Starting from my own blog in Greek, I then moved on to write for some of the major publications in Greece, and in a number of websites dealing with (Asian) cinema, such as Taste of Cinema, Hancinema, EasternKicks, Chinese Policy Institute, and of course, Asian Movie Pulse. in which I still continue to contribute.

In the beginning of 2017, I launched my own website, Asian Film Vault, which I merged in 2018 with Asian Movie Pulse, creating the most complete website about the Asian movie industry, as it deals with almost every country from East and South Asia, and definitely all genres.

You can follow me on Facebook and Twitter.

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