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Short Film Review: The Sculpture of Place and Time (2019) by Tatsuhito Utagawa

Phnom Penh-based dancer — a Cambodian-American and pioneer of the first Cambodian gay dance company Prumsodun Ok & NATYARASA — demonstrates the meticulous form of Khmer dance. His body movement is mesmerizing to watch, as occasionally it feels like watching a statue moving. The part that truly stands out however, are his hands, with the angles they bend and their movement giving an almost uncanny sense to the dance. Eventually, a narration in a very low voice and with a style that emits mysticism from every word states that this dance is actually a prayer, love and caring for each other.

The Sculpture of Place and Time” is screening at Japan Cuts

Gradually, the ritualistic sound gives its place to the ambient sound of waves and Prumsodm Ok continues his dance, although in a traditional attire.

Ok’s movements are truly impressive to behold, while the narration provides a sense of context for the 8-minute short, by connecting the dancing with spiritualism, and in essence, peace.

The black and white cinematography works quite well here, adding to the sense of calmness, which is only interrupted by the intense movements of Ok’s fingers.

Considering its experimental nature and its duration, “The Sculpture of Place and Time” is a spectacle more fit for an installation in a museum. However, there is beauty and power here, and fans of art and dance will definitely enjoy the show.

About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

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