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An intriguing FFi selection of Asian films in the 14th Slovak Queer Film Festival (FFi)

MacGyver taught us two things: first, plans are great, but something always goes wrong. Second, there's always an alternative solution close by. In a year that's been one big, wild and brutal episode, FFi has been converted into a hybrid festival. In fact, the 14th Slovak Queer Film Festival (FFi) is taking place in cinemas Kino Lumière in Bratislava and Úsmev in Košice through 14 – 19 October 2020, and through 20 – 25 October 2020.

We're so excited to share with you, though limited, yet intriguing FFi selection of Asian films: three features in the Queer Asia section and one short film in the Shorts section.

Relationships after 50 is the subject of Hong Kong's Suk Suk (d. Ray Yeung), a film about two retirement-age men who bravely take the chance to come out, at least to each other. This contrasts with the story of a gradually unfolding bond between two young men, set in a Catholic school at the end of Taiwan's martial law era, in the Sydney Pollack, Wong Kar-wai and Alan Parker-influenced romance Your Name Engraved Herein (d. Liu Kuang-Hui). Whereas in Taiwan same-sex marriage is legally enshrined, in Hong Kong homosexuality is still quite taboo.

The documentary Queer Japan (d. Graham Kolbeins) takes audiences on a fascinating, illuminating journey through various corners of LGBTQ+ Japan, from the art world, manga and the club scene to movements for LGBTQ+ people's human rights. In the process, you'll also learn that while hentai sex might include octopuses, its image of sexuality is actually ridiculously conservative.

Presented within the Shorts: Self-discovery block, (d. Wang Ping-Wen) leads us into the life of a soldier discovering his submissive side.

About the author

Adriana Rosati

On paper I am an Italian living in London, in reality I was born and bread in a popcorn bucket. I've loved cinema since I was a little child and I’ve always had a passion and interest for Asian (especially Japanese) pop culture, food and traditions, but on the cinema side, my big, first love is Hong Kong Cinema. Then - by a sort of osmosis - I have expanded my love and appreciation to the cinematography of other Asian countries. I like action, heroic bloodshed, wu-xia, Shaw Bros (even if it’s not my specialty), Anime, and also more auteur-ish movies. Anything that is good, really, but I am allergic to rom-com (unless it’s a HK rom-com, possibly featuring Andy Lau in his 20s)"

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