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Short Film Review: Reality Fragment 160921 (2017) by Qigemu (April Lin and Jasmine Lin)

A short feature exploring the nature of memory and the profound connection between two people.

Although we live in a world where science presumably can explain almost everything it seems, it is surprising considering these advances come with the existence of borders. Much of what we define as science is still based on assumptions, which, for the lack of a more consistent theory or proof, still exist, even when it comes to our bodies and how they function. One of the greatest mysteries remains our ability to remember, with neuroscience being a field which, while it can define some of the processes in our brain and nervous system, knows its borders while working on theories, tests and other sources to one day be able to explain the complex map of connections which we call memory.

Reality Fragment 160291” is screening at Queer East Film Festival

In “Reality Fragment 160291” , a duo consisting of directors Jasmine and , explore the field of memory, using the medium of film, creating a network of sounds and images connected to their identities and their love for each other. Rather than a narrative, the feature consists of a stream of episodes, or defunct puzzle pieces as they are called, linking to various experiences, a trip to the country or the times when they communicated via video chat, while one of them was overseas. On the one hand, “Reality Fragment 160291” can be regarded as a contemplation on the nature of memory and the process of remembering, while on the other hand, the short feature also works perfectly as a testament to their love for each other.

Considering the nature of the feature itself, the themes the directors explore are quite complex, at times vague and often surprising. Perhaps the most poetic and truly beautiful episode is when the narrator talks about a trip the two lovers took to a place called Tongzhiai, with the viewer being unsure whether this may be an actual or imaginary place due to the narration and the images. No matter what your interpretation may be, it comes down to these sequences being a metaphor for the profound connection and affection the two feel for each other, describing their love as “another home beyond this one”.

At the same time, when they are apart from each other, their connection remains. Similar to the way memories are interconnected, the level of affection still continues as the various collages of video chats of the two women suggest. The romantic notion of this longing for the other person, this “home” the other person stands for, is quite touching and truly beautiful.

In the end, “Reality Fragment 160291” is a short feature about the link between memory and the love we feel for another person. Through the use of a suggestive, complex network of sounds and images, April and have managed to create a touching, thought-provoking tale which will appeal to those who are in love or have ever felt affection like the one shown in their film.

About the author

Rouven Linnarz

Ever since I watched Takeshi Kitano's "Hana-Bi" for the first time (and many times after that) I have been a cinephile. While much can be said about the technical aspects of film, coming from a small town in Germany, I cherish the notion of art showing its audience something which one does normally avoid, neglect or is unable to see for many different reasons. Often the stories told in films have helped me understand, discover and connect to something new which is a concept I would like to convey in the way I talk and write about films. Thus, I try to include some info on the background of each film as well as a short analysis (without spoilers, of course), an approach which should reflect the context of a work of art no matter what genre, director or cast. In the end, I hope to pass on my joy of watching film and talking about it.

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