News

London East Asia Film Festival (LEAFF) Unveils Full Programme for the 5th Edition

LEAFF brings 10 films from across East Asia to London between the 10th to 13th December 2020 - in time for lockdown to be lifted in the capital.

The () celebrates its fifth edition in 2020. In keeping with the times, LEAFF presents a unique approach to our programme between 10th and 13th December. LEAFF 2020 opens with the gripping Korean box office hit, BEASTS CLAWING AT STRAWS, directed by Kim Yong-hoon which was awarded the Special Jury Prize at Rotterdam Film Festival earlier this year. The Festival closes the Official Selection with acclaimed director Yonfan's first film in a decade, NO.7 CHERRY LANE, an exquisite animation painting the portrait of late 1960s Hong Kong.

The five titles in Official Selection are cinematic offerings from Korea, Japan, China, Taiwan and Hong Kong. From Japan, Director Naomi Kawase's latest feature TRUE MOTHERS was selected at Cannes Film Festival, and will be screened as a UK premiere. From China, Director Derek Tsang's powerful adaptation of Jiu Yuexi's novel In His Youth, In Her Beauty, BETTER DAYS will be screened. From Taiwan, Director John Hsu's DETENTION has been programmed. It is a kinetic and chilling adaptation of a popular video game based on a dark period in Taiwan's recent past.

Rather than make this edition an online event, LEAFF understands the importance of this festival in projecting films and sharing in a physical space. The Festival has decided to reduce the number of films screening whilst offering audiences more socially-distanced opportunities to see them. Bringing an exciting line up of films to the biggest screens at the home of cinema in Leicester Square will allow the maximum number of people to safety and enjoy the wide-ranging programme. As the Festival team stated, “we hope it will remind people of the pleasure of the cinema and provide a bridge between the hugely successful fourth edition in 2019, and what we hope will be a full programme in 2021”.

In partnership with the Cinema at Selfridges, LEAFF also brings 5 films in Special Focus, bringing diverse voices and stories of East Asia to the London audience. Salaryman culture, casual misogyny and unethical work practices are the focus of director Shin Su-won's impressive feature, LIGHT FOR YOUTH. There may be no more timely film for our current climate than the iPhone shot romance about two young lovers living with with OCD in I WIERDO. Director Ray Yeung's heartfelt paean to autumnal love is poignant in its portrayal of the tension between family responsibilities and person desires in TWILIGHT'S KISS (SUK SUK)

Festival Director Hyejung Jeon added:
“LEAFF's mission has been to celebrate the wealth and creativity of East Asian cinema with audiences in London and around the UK. We have welcomed some of the world's finest filmmakers, hosted masterclasses with practitioners at the top of their craft and screened hundreds of new films as well as treasures from the archives, exploring each country's rich cinematic past. This year, we are glad to be able to screen highlights of East Asian cinema to the London audience and also recognise individual contributions with LEAFF AWARDS 2020.” 

The Award Ceremony will take place at the Closing Gala. LEAFF's Competition seeks out East Asia's most talented emerging directors, with a stellar jury which comprises of: Sabrina Baracetti of Udine Far East Film Festival, Paolo Bertolin of Venice International Film Festival and Director's Fortnight at Cannes, Kiki Fung of Hong Kong International Film Festival and Ellen Y. D. Kim of . Furthermore, awards for Lifetime Achievement, Rising Star, Best Actor Awards will recognise the outstanding work of one individual over the course of this year.

The Festival will take place between 10th and 13th December at Odeon Luxe Leicester Square, Cineworld Leicester Square and the Cinema at Selfridges. The full programme can be found on the Official Website.

About the author

Adriana Rosati

On paper I am an Italian living in London, in reality I was born and bread in a popcorn bucket. I've loved cinema since I was a little child and I’ve always had a passion and interest for Asian (especially Japanese) pop culture, food and traditions, but on the cinema side, my big, first love is Hong Kong Cinema. Then - by a sort of osmosis - I have expanded my love and appreciation to the cinematography of other Asian countries. I like action, heroic bloodshed, wu-xia, Shaw Bros (even if it’s not my specialty), Anime, and also more auteur-ish movies. Anything that is good, really, but I am allergic to rom-com (unless it’s a HK rom-com, possibly featuring Andy Lau in his 20s)"

Subscribe to Our Newsletter

>