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Raw and Real Venice-Prize Winner “Verdict” Gets UK Release

The verdict is in: remarkable award-winning debut comes to the UK, 12th march 2021.

Sovereign is proud to announce the release of writer/director 's harrowing domestic abuse drama, on 12th March, across streaming services.

Joy and her six-year-old daughter Angel live in Manila, with her husband, Dante, a small-time criminal. As so often in the past, Dante comes home drunk at night and brutally beats Joy. This time, he also hurts Angel. Joy grabs her daughter and flees to the local police station, to finally get him sent to jail. But Joy is to discover that the search for justice comes at a price. Her case, obstructed by corruption, bureaucracy and seemingly indifferent officials. Lacking witnesses to support her case, and her husband released back onto the street, Joy starts to feel that she and her daughter are increasingly under threat.

Verdict was the official Philippine entry to the International Film Category for the Oscars in 2020 and the deserved winner of the prestigious Horizons Special Jury Prize at the Venice Film Festival. It is in good company – previous winners include 2015's Free In Deed, and Court (2014), about the Indian legal system.  is equally compelling, an affecting examination of the dubious notion of ‘justice for all'. 

Filmed in a semi-documentary style, “Verdict” stars Max Eigenman, who won an Asia Pacific award for her bruised, and bruising, role, and Kristoffer King, who sadly died last year. The timely film casts an unflinching gaze at a difficult subject, too often ignored – the dark heart of male violence and its appalling consequences; and how the law courts seems to favour only the fortunate and connected – with barely a concern for the victims. 

Gutierrez's remarkably confident debut feature is extremely real, at times, blood-boilingly infuriating, and demands to be seen. 

VERDICT WILL BE RELEASED ON 12 MARCH 2021

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About the author

Adam Symchuk

Adam Symchuk is a Canadian born freelance writer and editor who has been writing for Asian Movie Pulse since 2018. He is currently focused on covering manga, manhwa and light novels having reviewed hundreds of titles in the past two years.

His love of film came from horror and exploitation films from Japan that he devoured in his teens. His love of comics came from falling in love with the works of Shuzo Oshimi, Junji Ito, Hideshi Hino, and Inio Asano but has expanded to a general love of the medium and all its genres.

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