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Music Video: Iijanaika by The Mops

 (Japanese: ザ・モップス) were a Japanese psychedelic rock/garage rock group active in the late 1960s and early 1970s.

The Mops were formed in 1966 by a group of high schoolers: Mikiharu Suzuki (drums), Taro Miyuki (guitar), Masaru Hoshi (or Katu Hoshi) (guitar), and Kaoru Murakami (bass). They began as an instrumental rock group similar to The Ventures, but soon after forming, Mikiharu Suzuki’s brother Hiromitsu joined on lead vocals. The group began to play psychedelic rock at the suggestion of their manager, who had brought home recordings of American hippie groups such as Jefferson Airplane from his trip to San Francisco. They received much press for being the “first psychedelic band” in Japan, and performed with elaborate light shows.

Bassist Murakami quit the group in 1969, and guitarist Miyuki moved to bass. The group then signed with Liberty/Toshiba/EMI, moving to a blues rock and hard rock sound, and followed with the hits “Tadorituitara Itumo Amefuri” “Gekko Kamen (Moonlight Mask)” and “Goiken Muyo (No Excuse)”, both of which charted in 1971. Several albums followed before the group’s breakup in May 1974. After The Mops, Hoshi remained in the music industry, working as an arranger. Hiromitsu Suzuki became a TV personality and actor, and Mikiharu Suzuki embarked on a successful career in artist management. The group achieved a resurgence of cult fandom in America after their “theme song”, entitled “I’m Just A Mops”, was included on the 1960s rarities compilation Nuggets II.

The particular song featured in the fifth part of the series, “Beat 71”

About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

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