AMP Cinema For Free

AMP Cinema for Free: Hyperbolae of Youth (1957) by Han Hyeong-mo

About This Film

Having a body-swap movie in ’50s Korea may seem as unlikely as the actual concept, but Han Hyeong-ho managed just that, although in a whole other fashion that is usually the case.

Synopsis

After one of many misplaced musical-style sequences, we are introduced to the two protagonists of the story: extremely poor, middle school teacher Myeong-ho and extremely rich, son of the president of a trading company (which is actually his “occupation”) Boo-nam, both of which are visiting the same doctor, with problems with their stomach. However, their sicknesses are completely antithetical, since the former suffers from malnutrition and the latter from eating too much. The doctor suggests that their problems should be solved if they two switch (swap if you prefer) lives for two weeks, and thus a situational comedy begins that ends up with Boo-nam living in the shack Myeong-ho’s family inhabits, and Myeong-ho in Boo-nam’s estate, the bigger house in the area as the latter nonchalantly informs him. However, what neither of them expected was to fall in love with each other’s sisters, poor Jeong-ok and spoiled and rich Mi-ja, who is already betrothed, however.

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About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

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