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Estasia. Cinema d’Oriente is back in Reggio Emilia, Italy and has unveiled the Programme

From June 14 to June 27, in Reggio Emilia, Italy.

The fifth edition of , a film festival in Reggio Emilia, Italy, dedicated to Asian culture, will begin on June 14, after a year of break due to the covid-19 epidemic.

The series of screenings aims to address, from a different angle, the current problems linked to interculturality and integration. Not a festival aimed only at the fanbase and the professionals therefore, but a moment of involvement and dialogue with the foreign communities present in the provincial and regional area.

The Golden Kaiju, a prize created by the artist Hu-Be, will be assigned this year by a jury composed of Nicola Cupperi (film critic), Lara Ferrari (journalist) and Xu Ying (communication professor at Renmin University in Beijing and Chinese director of the Confucius Institute of the University of Bologna). Then there will be the Audience Award and the Youth Award, allocated by a jury made up of students from the Ariosto Spallanzani High School.

The selection will give the opportunity to see previews and films that are otherwise difficult to find in Italy and tell stories of worlds culturally distant from ours, thus offering various insights into the relations between East and West. This year the festival will be held in three different locations and over two weeks, due to the strict rules of admission, for covid-19.

The festival will start on 14 and 15 June with the screening of two timeless classics:
Fruit Chan's ““, best film at the Hong Kong Film Awards 1998
and
“, the film launched by Korean director Park Chan-wook

In the following days:
” by Yeon Sang-ho, the highly anticipated sequel of the zombie film “Train to Busan”.
” by Eric Tsang, a romantic epic about a teenage girl victim of bullying, considered by many to be the best film of 2020, winner of numerous international awards and nominated for an Oscar as Best International Film.
” by Shinobu Yaguchi, a crackling Japanese musical winner of the Audience Award at the Fantasia Film Festival in Montreal.
” by Sanal Kumar Sasidharan
” by Lijo Jose Pellissery
” by Masaharu Take
” by Shinzo Katayama
Heavy Craving” by Pei-Ju Hsieh
Best Director” byZhang Xia
” by Yang Mingteng
” by Tatsushi Omori

The usual space for co-productions between East and West will feature:
Aga “, a touching film by Bulgarian director Milko Lazarov that takes us among the Russian Eskimos of the snowy expanses of Jacuzia
and
” by Lungyin Lim, a Taiwan / Czech Republic co-production on the issue of generational conflict and between tradition and innovation.

There will also be a small focus on Kazakh director Adilkhan Yerzhanov, who is establishing himself as one of the most interesting voices in the new auteur cinema, with :
“, rural noir with rarefied atmospheres
and
Atbai's fight“, a story of sport as an opportunity for redemption.

Finally, on Sunday 27 June
8.40 pm – AWARD CEREMONY OF THE WINNING FILMS.
” by Arden Rod Condez, which explores the issues of bullying

For more info please check the Official Website of Estasia

About the author

Adriana Rosati

On paper I am an Italian living in London, in reality I was born and bread in a popcorn bucket. I've loved cinema since I was a little child and I’ve always had a passion and interest for Asian (especially Japanese) pop culture, food and traditions, but on the cinema side, my big, first love is Hong Kong Cinema. Then - by a sort of osmosis - I have expanded my love and appreciation to the cinematography of other Asian countries. I like action, heroic bloodshed, wu-xia, Shaw Bros (even if it’s not my specialty), Anime, and also more auteur-ish movies. Anything that is good, really, but I am allergic to rom-com (unless it’s a HK rom-com, possibly featuring Andy Lau in his 20s)"

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