Afghan Reviews Features Reviews

Jaim Cleeland Writes About Afghan Filmmaker Sadeq Naseri

is an Afghan filmmaker who works within the genre of documentary. He is based in Kabul, which you will be aware of due to the most recent news, of the city falling to the Taliban. In a short matter of days from the Taliban entering Kabul, Sadeq Naseri’s life has changed.

He can remember when the Taliban were last in power and the restrictions that were in place. It was not possible to sit with women outside and drink coffee and chat. Sadeq’s recent work has been focused on the emancipation of Afghan women. It is something that he feels strongly about. He doesn’t want to see another generation destroyed by the oppression that the Taliban brings into everyday life.

Only two weeks ago, Sadeq was excitedly working on a trailer to his new documentary ‘‘. It is a documentary about the brutal killing of a young Muslim woman named Farkhunda Malikzada, who was publicly lynched by a mob in Kabul, the capital of Afghanistan in March 2015. For this new work, Sadeq reached out to the British filmmaker Jaime Cleeland for artistic direction on the project and a stop-motion animator, . from Greece. For Sadeq, this was a great opportunity to collaborate with professionals who were giving their time to the project freely. It seems, for the foreseeable future, the project will be on hold. Sadeq was planning on shooting a reenactment scene with a local theatre group, who had previously performed a reenactment of the killing of Farkhunda. He says “that it has taken many years for cinema to find its position within the present Afghan culture, and that is likely to be destroyed by the presence of the Taliban and their beliefs”.

About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

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