LABYRINTH OF CINEMA, the final film by maverick filmmaker Nobuhiko Obayashi ; a love letter to the power of cinema will be playing on the big screen as it was intended.
The film will be released in New York at The Metrograph on October 20th, with a Los Angeles and regional release to follow in key theaters.
LABYRINTH OF CINEMA
Director: Nobuhiko Obayashi (House)
Cast: Takuro Atsuki, Takahito Hosoyamada, Yoshihiko Hosoda, Rei Yoshida, Riko Narumi, Hirona Yamazaki, Takako Tokiwa
The final film by Nobuhiko Obayashi finds the late director returning to the subject of Japan's history of warfare following the completion of his “War Trilogy,” which ended with Hanagatami. On the last night of its existence, a small movie theater in Onomichi—the seaside town of Obayashi's youth where he shot nearly a dozen films—screens an all-night marathon of Japanese war films. When lightning strikes the theater, three young men are transported into the world onscreen where they experience the violent battles of several wars leading up to the bombing of Hiroshima. A breathless cinematic journey through Japan's past, Labyrinth of Cinema finds Obayashi using every trick in his book to create an awe-inspiring, visually resplendent anti-war epic that urges us to consider cinema as a means to change history. The culmination of an exceptional 60-year career worth celebrating.
Born in Hiroshima in 1938, Nobuhiko Obayashi was a director, screenwriter and editor of films and television advertisements. He began his filmmaking career as a pioneer of Japanese experimental films before transitioning to directing more mainstream media, and his resulting filmography as a director spanned almost 60 years.
He was notable for his distinct surreal filmmaking style, as well as the anti-war themes commonly embedded in his films. He died on 10 April 2020 at the age of 82, from lung cancer in Tokyo.
“Forget a swan song: Nobuhiko Obayashi's final film is a shriek, a tirade, a lecture and a rollicking action-adventure stuffed into a three-hour pop-art package.”
—The New York Times
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