Based on its opening alone, you would be forgiven for thinking that “You're Not Normal, Either” is a run-of-the-mill pseudo-emotional offering. However, what follows is a genuinely funny, occasionally thought-provoking film which, although occasionally a bit too much, is thoroughly entertaining.
“You're Not Normal, Either” is Screening at Asian Pop Up Cinema
Koji Maeda's flick revolves around two eccentric characters, the cram school teacher/maths enthusiast Yasuomi Ohno (Ryo Narita), and his energetic and entirely immature student Kasumi Akimoto (Kaya Kiyohara). Together, the two seek to discover the pleasures of dating, the former due to desperation born out of a fear of lifelong loneliness, and the latter due to an infatuation with an ambitious businessman who she draws thinly veiled inspiration from. What ensues is an emotionally complicated yet endearing look at what normal really is, and whether or not our two protagonists choose to subscribe to the notion that they have to conform to societal expectations.
Although Ryo Takada's narrative could easily veer towards being poignant, he smartly chooses to avoid melodrama, favouring more of a dramedy approach. Syringing his narrative with quips and sharp-witted moments of relatability, it makes for more affable viewing, and in turn more investable characters. For example, the audience is much more engaged with what comes of Yasuomi's dating attempts because of his childlike innocence, seamlessly rooting for him trying to cosy up to a woman who seems to be enamoured by his unwilling ignorance to the world around him.
That is not to say that the story always hits the mark, though. The tale of adultery seems clunky, and the cynical tactics of the college student protagonist feels overly petty. As such, it can be quite difficult to hope for a favourable outcome for her, which in turn means the viewer has a one-sided affection for the male lead.
Acting wise the movie is appealing, with both Ryo Narita and Kaya Kiyohara performing their roles with believability and nuance. Narita particularly captures the pensive nervousness of Yasoumi to a fascinating degree, embodying his anxious persona with sharp facial expressions and a juvenile giggle. It undeniably aids the release's appeal, and consequently, makes for more pleasing viewing.
Technically, there is little to quibble with, but at the same time nothing which stands out either. As such, Yoshihiro Ikeuchi's cinematography succeeds in its low-key charm, and making places like snack bars and restaurants feel natural and welcoming.
Overall, “You're Not Normal, Either” is a solid offering. Serving up both depth and humour, it leaves plenty of room for pondering whilst also allowing the viewer to be entirely content.
