Japanese Reviews Reviews

Film Review: Signal The Movie Cold Case Investigation Unit (2021) by Hajime Hashimoto

The timeless crime solving continues

Movies that stem from series are actually quite a normal phenomenon in the Japanese entertainment industry, with both anime and TV series franchises frequently indulging in the practice. “Signal The Movie” comes as a continuation of the Fuji TV series “Signal” itself a remake of the South Korean drama of the same name, written by Kim Eun-hee.

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Movies that stem from series are actually quite a normal phenomenon in the Japanese entertainment industry, with both anime and TV series franchises frequently indulging in the practice. “Signal The Movie” comes as a continuation of the three seasons of “Cold Case”, which is actually a remake of the homonymous US title.

This last part allows to make a comment about corruption, which actually takes place in both arcs, adding more contextual depth but also analyzing further the protagonists, with their will to fight against authority highlighting their character but also connecting them in a way. Granted, the various revelations and the way they are presented occasionally leaves a distinct TV sense, also due to the occasionally hyperbolic acting, but in general, the approach to the story is quite good. 

Where the movie finds its true cinematic hypostasis, however, is in the plethora of action scenes, with the fact that some of the “good guys” die, working quite well in dramatic terms. Particularly the one Saegusa has close to the end, in a rather impressive one-on-one, is truly brutal and excellently choreographed by Nobuhiko Tanaka, is probably the most memorable scene in the film, additionally showcasing 's acting, along with Hiroo Yanagida's cinematography and the overall editing. Talking about cinematography, the movie is also impressive in that regard, with the various SFX working quite well here (particularly the car crash is outstanding). 

Apart from the always cool Sakaguchi, as Ooyama also gives a very convincing performance as the poor devil in over his head. as Sakurai and Tsuyoshi Ihara as Aoki, one of the police higher ups are functionable, although their roles are among the TV elements mentioned before, particularly of the latter. 

” has its faults, but in general emerges as a rather entertaining genre movie that works very well within its crime film aesthetics. 

About the author

Panos Kotzathanasis

My name is Panos Kotzathanasis and I am Greek. Being a fan of Asian cinema and especially of Chinese kung fu and Japanese samurai movies since I was a little kid, I cultivated that love during my adolescence, to extend to the whole of SE Asia.

Starting from my own blog in Greek, I then moved on to write for some of the major publications in Greece, and in a number of websites dealing with (Asian) cinema, such as Taste of Cinema, Hancinema, EasternKicks, Chinese Policy Institute, and of course, Asian Movie Pulse. in which I still continue to contribute.

In the beginning of 2017, I launched my own website, Asian Film Vault, which I merged in 2018 with Asian Movie Pulse, creating the most complete website about the Asian movie industry, as it deals with almost every country from East and South Asia, and definitely all genres.

You can follow me on Facebook and Twitter.

  • One thing to note. On the Bluray release it mentions English Audio, and there is none. I know some don’t care, but some people have vision issues and the English Dub tracks make it a more accessible.

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