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Shinzo Katayama’s “Missing” to Open Theatrically Before On-Demand Release

OFFICIAL SELECTION: Busan International Film Festival, Fantasia International Film Festival, Fantastic Fest and many more.

Synopsis: Depressed and in debt following the death of his wife, Santoshi (Jiro Sato) tells his young daughter he has found a way out. Pointing to a reward note, he vows to find the infamous serial killer “No Name” (Hiroya Shimizu) and cash in, claiming to have seen the man in the flesh a few days earlier. Kaeda (Aoi Ito) cannot take her aloof father serious. But when he goes without a trace, she starts to fear the worst—and must begin looking for him.

After working as an assistant director for Japanese films, including Nobuhiro Yamashita's works, filmmaker Shinzô Katayama crossed paths with Bong Joon-Ho while shooting “TOKYO!” (2008) and served as his assistant director on “Mother” (2009). In 2019, his debut feature, “Siblings of the Cape ” was selected by numerous domestic and international film festivals. He now is one of the most promising, emerging directors in Japan, and his second feature, MISSING (“Sagasu /さがす”) will be his commercial film debut.

MISSING will open theatrically in New York, Los Angeles, Columbus, and major cities on November 4, 2022. An On Demand release will follow on November 18, 2022, and the Blu-Ray release for the film will be on December 6, 2022 through Dark Star Pictures.

ABOUT DARK STAR PICTURES

Dark Star Pictures is a new-age North American distribution company, focused on bringing unique and targeted content to audiences across the country. We are committed to releasing auteur-driven, original cinema in the theatrical, digital, and home video space.
Website: https://darkstarpics.com

About the author

Adam Symchuk

Adam Symchuk is a Canadian born freelance writer and editor who has been writing for Asian Movie Pulse since 2018. He is currently focused on covering manga, manhwa and light novels having reviewed hundreds of titles in the past two years.

His love of film came from horror and exploitation films from Japan that he devoured in his teens. His love of comics came from falling in love with the works of Shuzo Oshimi, Junji Ito, Hideshi Hino, and Inio Asano but has expanded to a general love of the medium and all its genres.

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