Japanese Reviews Reviews Short Shorts Film Festival and Asia

Short Film Review: Dream Box (2022) by Naoto Mitake

"We are the same."

According to the definition provided within director 's short feature, a “” is a euphemism referring to the room where cats and dogs are being euthanized. Considering there are human characters involved, perhaps this is due to the sense of dry humour, a particular predilection of the filmmaker himself as his profile indicates. Whatever the case may be, “Dream Box” is best described as a showcase for the director, who has worked on countless commercials and other projects previously, especially with regard to its visuals and its link to the aforementioned concept.

Dream Box is screening at Short Shorts Film Festival and Asia

Six people are imprisoned in a room and have been engaging in what must have been a food orgy for quite some time. As the last bowls of soup and noodles are being digested, the atmosphere shifts towards more physical encounters as the men and women become attracted to one another and start making certain advances. Tojo () and Mika () seem particularly infatuated with each other. However, as the lights turns red in the room and guards start entering and taking them away, they decide it is best to cherish whatever time they have left.

To be honest, there is not a lot going on in “Dream Box” in terms of story. While shorts obviously do not contain a lengthy plot, Mitake's work seems to be more concerned with recording a certain condition or mood. Given the fate that awaits the characters, there is a distinct amount of desperation, but also playfulness in some of these moments, resulting in, for example, a howling competition between two of them. In the end, making sense out of all of this is the viewer's task as the director and screenwriter did not take the time to do so.

Check also this interview

When it comes to the short's aesthetics, “Dream Box” has a little more to offer. The heightened emotions, the stress, the anger and the overall desperation are emphasized by the performances on the one hand, but even more so by the use of lights, colors and ' cinematography. Therefore, some scenes look very pretty and interesting, which may suggest that this short is one of the many favoring style over substance.

In the end, “Dream Box” is a visually well-made short but has not a lot to offer in terms of themes and plot.

About the author

Rouven Linnarz

Ever since I watched Takeshi Kitano's "Hana-Bi" for the first time (and many times after that) I have been a cinephile. While much can be said about the technical aspects of film, coming from a small town in Germany, I cherish the notion of art showing its audience something which one does normally avoid, neglect or is unable to see for many different reasons. Often the stories told in films have helped me understand, discover and connect to something new which is a concept I would like to convey in the way I talk and write about films. Thus, I try to include some info on the background of each film as well as a short analysis (without spoilers, of course), an approach which should reflect the context of a work of art no matter what genre, director or cast. In the end, I hope to pass on my joy of watching film and talking about it.

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