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KimStim Acquires North American Rights To Remembering Every Night By Yui Kiyohara

Theatrical playdates begin with a Sept. 15, 2023 release at

Film in Lincoln Center, New York

Followed by a North American release

Official Selection, Berlinale 2023

Official Selection, New Directors/New Films 2023

Sophomore directorial effort from , whose debut OUR HOUSE played Berlinale in 2018

is delighted to announce the acquisition of North American rights to Yui Kiyohara's : “We were struck by how much this deceptively simple and delicate film could be so mesmerizing, humorous, and moving. It clearly demonstrates that Yui Kiyohara is one of Japanese cinema's rising stars,” states KimStim co-founder Mika Kimoto.  

Kimoto negotiated the deal with Chinese sales company Parallax Films's co-founder and head of international sales Cao Liuying. Liuying speaking to Screen for the film's Berlinale bow adds: “It's our goal to work with talents beyond the Chinese-speaking territories. Remembering Every Night will be our attempt to further explore our pan-Asian collaboration.”

Remembering Every Night was produced and supported by Japan's Pia Film Festival and its PFF Scholarship for young filmmakers. Kiyohara's Our House won the grand prize at Pia in 2017 and the best director award at Shanghai's Asian New Talents competition in 2018.

Enfolding on a summer day in the overgrown leafy environs of once hopeful Tokyo satellite city Tama New Town, Remembering Every Night stars Kumi Hyodo, Minami Ohba and Ai Mikami. A film that moves on the rhythms of a gentle breeze, Yui Kiyohara's follow-up to her acclaimed Our House is an evocatively quotidian film that's as mysterious and beautiful as everyday life itself. Kiyohara immerses viewers in the quiet pursuits of several women, including a wandering university student, a helpful neighborhood meter reader, and a middle-aged gentle soul seeking employment but finding herself agreeably lost instead. Their paths converge or just miss one another over the course of a single sunny afternoon, captured by Kiyohara with calming long takes and the occasional drifting camera that seems to have a perspective all its own. 

“Combines delicate human drama, mesmerising imagery and a reflection on personal and social history… Remembering Every Night is further proof of Kiyohara's standing as a stellar auteur for the future, as she keeps her directorial eye on leavening the past. -The Film Verdict

About the author

Rouven Linnarz

Ever since I watched Takeshi Kitano's "Hana-Bi" for the first time (and many times after that) I have been a cinephile. While much can be said about the technical aspects of film, coming from a small town in Germany, I cherish the notion of art showing its audience something which one does normally avoid, neglect or is unable to see for many different reasons. Often the stories told in films have helped me understand, discover and connect to something new which is a concept I would like to convey in the way I talk and write about films. Thus, I try to include some info on the background of each film as well as a short analysis (without spoilers, of course), an approach which should reflect the context of a work of art no matter what genre, director or cast. In the end, I hope to pass on my joy of watching film and talking about it.

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