InlanDimensions International Arts Festival Media Partners News

InlanDimensions International Arts Festival Unveils 2023 Programme

Wrocław, Warsaw, Radom, Poland - From 29 September to 8 October

InlanDimensions International Arts Festival has established itself as Central Europe’s largest multidisciplinary festival, rejecting differentiation between Europe and Asia by building bridges between countries and cultures. It showcases a kaleidoscope of arts ranging from theatre, performance, dance, and cinema, to music, literature, and visual arts, bringing together artists and audiences from all over the world, launching co-productions, and facilitating negotiations between venues and producers through professional language services. Though the central focus of InlanDimensions is on postwar to postmodern art, the festival does not break with tradition, but stresses its transformations and influence on contemporary art. It introduces audiences to the concept of Eurasian theatre and film as a marriage of diverse cultures and genres within a single piece of art. We invite a broad spectrum of artists to create another dimension of this vast intercultural empire that reaches deeper and deeper into the continents.

Projects currently in progress initiated by the InlanDimensions International Arts Festival are Kosmos [Cosmos], dir. Koike Hiroshi, with a Polish and Japanese cast (premieres Feb. 2023 at the Jerzy Grotowski Institute / Mar. 2024 at the Tokyo Metropolitan Theatre); Iwona, księżniczka Burgunda [Yvonne, Princess of Burgundy], dir. Miura Motoi, music composed by Wacław Zimpel (premieres Sep. 2023 at the Underthrow atelier, Kyoto / Oct. 2024 in Poland); Tango, dir. Hirota Jun’ichi (planned premiere 1st quarter 2024 in Tokyo / Oct. 2024 in Poland); and performances of Krzysztof Warlikowski’s play Wyjeżdżamy [We’re Leaving] at the Hong Kong Cultural Centre (Sep. 2024).

‘Tis better to have loved and lost than never to have loved at all! Does this time-honoured wisdom not echo Coriolanus’ words: There is a world elsewhere?” asks Tang Shu-wing, the ambassador for this year’s InlanDimensions and one of Hong Kong’s leading contemporary theatre directors.

Love laid bare is the subject of the stage play that opens the festival, , directed by the eminent Korean Hyoung-Taek LimbBlending Shakespearean bravura with contemporary dance, the traditional Korean music pansori, and Korean soap opera, Limb splits the eponymous Medea into two characters: mother and lover, consistently referencing the theory of simulacra, and creating an original production on the cusp of East and West. 

The fury of amorous passion is the driving force behind the performances by the sister act . This multicultural melting-pot, a riotous, elemental mix of alternative cabaret and colourful circus art, fuses Balkan rhythms and French chansons with contemporary Japanese pop culture. The duet are followed on stage by the phantasmagoric , an artist known from the carnival world of Japanese burlesque. The finale of this act, which resonates like the twang of a broken string, is provided by the experimental trio Kūkangendai from Kyoto, whose music builds a polyrhythmic rock narrative bursting with deliberate dissonances. 

This revival of Eurasian theatre traditions, and international exchange on such an extensive scale, have only been possible with the engagement of organisers who put their heart and soul into the project, working untiringly in tough and ever-changing conditions; the backing of our sponsors: The Ministry of Culture and National Heritage, Korea Arts Council, Seoul Factory for the Performing Arts, Agency for Cultural Affairs, EU-Japan Fest Japan Committee, Toshiba Foundation,  – and last but not least the dedication of our audiences, who have supported theatre and cinema venues unstintingly in the face of the spectres of pandemics, wars, and global economic crisis throughout recent years, helping them to weather the storm. Dear Spectator! Love- you don’t know how it decorates, affection will turn you into a Petrarch. Let a girl get something out of love – don’t spare her feelings! We cordially invite you to experience true , emphasizing the fact that apart from the artist being on stage, it is you who form the Dimensions that live Inland!

You can find the whole Programme HERE.

Theatre

Coppelia Circus

Charan-Po-Rantan

Medea and its Double

Music

Kūkangendai

About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

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