On the occasion of his film, Snow in Midsummer screening at Red Sea Film Festival, Keat Aun Chong speaks to Panos Kotzathanasis about the incident the film is based on, Chinese opera, including religious and spiritual elements in his movie, the issues he faces with censorship in Malaysia, the acting and the cinematography, and other topics.
Asian Movie Pulse Video Interviews: Keat Aun Chong talks to Panos Kotzathanasis
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About the author
Adriana Rosati
On paper I am an Italian living in London, in reality I was born and bread in a popcorn bucket. I've loved cinema since I was a little child and I’ve always had a passion and interest for Asian (especially Japanese) pop culture, food and traditions, but on the cinema side, my big, first love is Hong Kong Cinema. Then - by a sort of osmosis - I have expanded my love and appreciation to the cinematography of other Asian countries. I like action, heroic bloodshed, wu-xia, Shaw Bros (even if it’s not my specialty), Anime, and also more auteur-ish movies. Anything that is good, really, but I am allergic to rom-com (unless it’s a HK rom-com, possibly featuring Andy Lau in his 20s)"
