Chinese Reviews Reviews

Film Review: Talks Overnight (2023) by Su Qiqi

"We're the kind of people who find meaning on their own."

It is one of the most interesting yet frustrating dilemmas of any culture that while we have such a wide variety of means to express ourselves, there are still aspects of our lives we are unable to put into words or any mode of communication. While it is perhaps wise to leave some things unsaid as defining them would take away rather than add to them, especially in personal relationships we often struggle to find ways of expressing how we feel. Renowned film critic and producer experienced such an issue during the summer of 2021 as a mixture of “inner anxiety and inexplicable depression”, a personal state which seemed to be reflected in the political landscape of her home country China at that point. As she tried to search for a meaningful way to deal with these feelings, she ultimately decided to make “”, a blend of documentary and feature.

Talks Overnight is screening at

At the beginning of the feature, we find Su (Su Qiqi) and her husband Ma (Ma Yuebo) in her apartment reading poetry to each other and commenting on the poems. Over the course of the next few days, we follow their routine of meeting friends, having breakfast and drinking coffee in a nearby cafe. Perhaps sparked by a conversation (which turns into a heated argument) of their friends while having dinner together, especially Su expresses her growing concerns about her work, her family life and their recent acquisition of a house. While Ma does his best to give advice and support, he also mentions how he has changed over the last years, from a more optimistic person to someone who has seemingly given in to a system he does not understand fully.

Chinese cinema has neglected the character of the intellectual, but so have many cultures, especially when it comes to taking him/her seriously. We have watched and read many stories of people trying their best to make ends meet in the face of a political-social system that often counteracts their attempts to survive. However, the struggle of the intellectual, as presented in “Talks Overnight” is just as significant, as the knowledge and life experiences of the characters we meet has not prepared them well enough for a world that grows more complex and altogether more misanthropic with each year. There is simply a line which cannot be crossed when it comes to their discourse, which we first witness during the aforementioned dinner scene, that becomes infinitely more frustrating as these people should have the means to express themselves.

At the same time, the silence between the words becomes more and more significant. As we follow the various conversations of the couple, which always arrive at the same issues it seems, the empty spaces become more meaningful, possibly bridging the gap between what can be said and what cannot. At this point we have come to like and feel with Su Qiqi and (as portrayed in the feature), wishing them to succeed in their struggle, also for our sake. Because if they fail, what hope can there be for us. Nevertheless, through the power of the images and the beauty of poetry, there is a shimmer of light which may lead us through the darkness that sometimes clouds our world.

“Talks Overnight” is a blend of documentary and feature about the limits of communication and expression. Su Qiqi manages to direct a meaningful and quite touching movie about a very important, and sadly often neglected struggle of our times.

About the author

Rouven Linnarz

Ever since I watched Takeshi Kitano's "Hana-Bi" for the first time (and many times after that) I have been a cinephile. While much can be said about the technical aspects of film, coming from a small town in Germany, I cherish the notion of art showing its audience something which one does normally avoid, neglect or is unable to see for many different reasons. Often the stories told in films have helped me understand, discover and connect to something new which is a concept I would like to convey in the way I talk and write about films. Thus, I try to include some info on the background of each film as well as a short analysis (without spoilers, of course), an approach which should reflect the context of a work of art no matter what genre, director or cast. In the end, I hope to pass on my joy of watching film and talking about it.

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