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Kimi Takesue Showcase, Fire Over Water Asian cinema series

KimiKat Productions Presents , a film by

Opens Friday, Feb. 16th, 2024 in U.S. theatres 

 (New York exclusive) U.S. theatrical premiere

“Onlookers” will screen as part of the series Fire Over Water: Films of Transcendence January 26 – February 25, 2024 at Metrograph featuring films by Apichatpong Weerasethakul, Kim Ki-duk, Kimi Takesue and more.

Official Selection:

World Premiere – Slamdance Film Festival 2023, Breakouts Feature Honorable Mention Winner
International Premiere – Cinéma du Réel 2023 
RIDM: Montreal International Documentary Film Festival 2023
DMZ International Documentary Film Festival 2023
San Diego Asian American Film Festival 2023
Krakow International Film Festival 2023
Prismatic Ground 2023
Cinéma du Réel 2023

Onlookers, a film by Kimi Takesue

USA | 2023 | 72 minutes 

Official site: www.onlookersfilm.com

ONLOOKERS offers a visually striking, immersive meditation on travel and tourism in Laos, reflecting on how we all live as observers. Unfolding in painterly tableaux, ONLOOKERS explores the paradox of travel: Why do people fly thousands of miles from home to lounge in a Laotian guest house sipping smoothies while watching reruns of the TV show “Friends”? Why do we climb to the top of a colossal mountain just to snap selfies, rather than enjoy the extraordinary view? We are present, but absent. Looking, but not seeing. With wit and a gentle eye for social critique, ONLOOKERS observes Western backpackers and tour groups from East Asia descend upon Laos, a small country in Southeast Asia economically dependent on international tourism. ONLOOKERS invites audiences to reflect on their own modes of tourism, while asking the looming existential questions: Why do we travel? What do we seek? 

A rich, meditative film about looking at people who have come to look, made up of painterly, precisely composed tableaux that both reveal the picturesque beauty of the local landscape and question the concept of the “picturesque,” all while revealing the persistence of colonial assumptions in contemporary package tourism.

“Revelatory… Onlookers provides a piercing and ironic examination of seemingly benevolent cultural consumption.” – Michael Sicinski, Film Comment

“A surprisingly funny observational documentary feature…is all about these times when eyes meet each other, or a lens, and that recognition causes one party to fall in or out of balance…But [Takesue's] not merely reversing too-common gazes or commenting on tourism's cannibalization of a place…Onlookers is instead the pithy result of her long look at a place and its tourism from untrodden angles. She is able to look at travel critically as well as see its potential.” -A.E. Hunt, Filmmaker 

“Through a series of expertly framed static takes (and meticulous sound design), we're free to let our senses wander between the sometimes humorous, sometimes off putting, and always porous borders between seen and seer— and might just take pause to consider who could be observing us as we do.” -Inney Prakash, Prismatic Ground

Onlookers will also stream on Metrograph at Home (starting February 23, 2024) as part of Kimi Takesue Showcase, alongside the director's previous features 95 and 6 to Go (2016) and Where Are You Taking Me? (2010), both available online from February 16, 2024.

About the Filmmaker- Kimi Takesue 

Director, Producer, Cinematographer, Sound Recordist, Editor 

Kimi Takesue is an award-winning filmmaker working in documentary, experimental and narrative genres. Takesue's films have screened at more than 250 film festivals and museums internationally including Sundance, Locarno, Toronto, New Directors /New Films, SXSW, and MoMA and have aired on PBS, IFC, and the Sundance Channel. Takesue is the recipient of Guggenheim and Rockefeller Fellowships, as well as the “Breakthrough Award” from Chicken and Egg Pictures recognizing women who have made significant contributions to the documentary field. Takesue is Professor in the Department of Arts, Culture and Media at Rutgers University-Newark.

Takesue's feature documentary 95 AND 6 TO GO, a portrait of her Japanese American grandfather in Hawai'i, was nominated for the 2017 European Doc Alliance Award and screened at over twenty-five international film festivals, including CPH:DOX, Doclisboa, DOC NYC, and Dok Leipzig. The film won the Special Jury Prize for Best Documentary Film at Indie Memphis and the Los Angeles Asian Pacific International Film Festival. Takesue's critically acclaimed Ugandan feature documentary WHERE ARE YOU TAKING ME? was commissioned by the International Film Festival Rotterdam and premiered at the festival, followed by screenings at MoMA Documentary Fortnight and the Los Angeles Film Festival. Her films are distributed by Women Make Movies, New Day Films, and the Criterion Channel. https://www.kimitakesue.com/

Kimi Takesue Filmography 

ONLOOKERS (2023)

95 AND 6 TO GO (2016)

LOOKING FOR ADVENTURE (2013)

THAT WHICH ONCE WAS (2011)

WHERE ARE YOU TAKING ME? (2010)

SUSPENDED (2009)

E=NYC2 (2005)

SUMMER OF THE SERPENT (2004)

HEAVEN'S CROSSROAD (2002)

ROSEWATER (1999)

BOUND (1995)

Onlookers Select Credits

Director and Producer: Kimi Takesue 

Cinematography by: Kimi Takesue 

Co-Producers: Richard Beenen, Sophie Luo

Consulting Producers: Sara Archambault, Karin Chien 

Sound: Kimi Takesue 

Edited by: Kimi Takesue 

Colorist: Christopher DiBerardino

Supervising Sound Editor & Re-Recording Mixer: Tom Efinger 

Sound Editor: Abigail Savage 

Official site: www.onlookersfilm.com

Social Media

Facebook | Twitter | Instagram @onlookersfilm 

Support & Funding From: 

Bogliasco Foundation 

Chicken and Egg Pictures 

The Corporation of Yaddo 

MacDowell 

Marblehouse 

New York State Council on the Arts 

Rutgers University – Newark 

Women Make Movies Production Assistance Program

About the author

Rhythm Zaveri

Hello, my name is Rhythm Zaveri. For as long as I can remember, I've been watching movies, but my introduction to Asian cinema was old rental VHS copies of Bruce Lee films and some Shaw Bros. martial arts extravaganzas. But my interest in the cinema of the region really deepened when I was at university and got access to a massive range of VHS and DVDs of classic Japanese and Chinese titles in the library, and there has been no turning back since.

An avid collector of physical media, I would say Korean cinema really is my first choice, but I'll watch anything that is south-east Asian. I started contributing to Asian Movie Pulse in 2018 to share my love for Asian cinema in the form of my writings.

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