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Short Film Review: The Voice in My Head (2023) by Hamish Downie

The Voice in My Head still
"You know your limitations as a woman, admit it"

Somewhere in Japan, as the castles in the background highlight, Isa, a marathon runner from the Philippines, is training through the night. While she is running, she is reminiscing of a talk she had with her mother, all of which happens in English.

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It turns out that the talk is half real and half in her mind, while the sure thing is that the generational gap is rather evident. Isa's mother mentions how weak women are, cautions her for running alone, and insists that she gets a rich husband, just like the other women their age they know. Night gives its stead to the day and vice versa, signifying that Isa's thoughts, and particularly the fact that she is thinking of how to tell her mother she is gay, have been tormenting her for some time. Eventually, she decides to call her, and her response is truly surprising.

shoots a 6-minute short that makes two evident comments. The first one is how the thinking of people has changed through the generations, particularly now, with the concept of gayness and coming out being quite prevalent. The second revolves around understanding, and the benefits of speaking up, and thus communication, with the latter closing the short in a rather positive note.

Apart from context, however, and despite some beautiful images, courtesy of DP Paul Leeming, there is very little cinematic value here. That none of the protagonists actually speaks, since Narelle Katsumoto as Isa is narrating the thoughts in her mind and as Mother is just a voice on the point definitely adds to this sensation. The same applies to the fact that visually, the whole thing is just a woman running through the streets, which does not exactly make for a captivating experience.

As such, and although the job done in the sound is commendable, the whole thing emerges as more of a promotional/motivational video than an actual film. And since we have seen what Hamish Downie can do in “Matcha & Vanilla”, “The Voice in My Head” seems like a step back.

About the author

Panos Kotzathanasis

My name is Panos Kotzathanasis and I am Greek. Being a fan of Asian cinema and especially of Chinese kung fu and Japanese samurai movies since I was a little kid, I cultivated that love during my adolescence, to extend to the whole of SE Asia.

Starting from my own blog in Greek, I then moved on to write for some of the major publications in Greece, and in a number of websites dealing with (Asian) cinema, such as Taste of Cinema, Hancinema, EasternKicks, Chinese Policy Institute, and of course, Asian Movie Pulse. in which I still continue to contribute.

In the beginning of 2017, I launched my own website, Asian Film Vault, which I merged in 2018 with Asian Movie Pulse, creating the most complete website about the Asian movie industry, as it deals with almost every country from East and South Asia, and definitely all genres.

You can follow me on Facebook and Twitter.

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