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Short Film Review: Detaching (2024) by Nicholas Z. Scott and Jud Wilmont

Detaching
"You're ruining my anniversary"

Winner of Best Film, Best Directing, Best Actress, Best Cinematography, Best Visual Effects, and Audience Choice at the 2023 Shanghai 48 Hour Film Project, “” is a 7-minutes sci-fi short which attempts to comment on a number of issues revolving around technology.

“Detaching” review is part of the Submit Your Film Initiative

The film begins in dreamy fashion, with a man and a woman coming together in an idyllic setting, before another man comes making a warning that suggests the whole ting was part of a virtual game. The scene then changes to the aforementioned woman's actual life, before turning to the game once more, where the exact thing happens, with the previous man cautioning her once more, that she has spent too much time in the game. The more her life seems to be stuck, the more the woman gets hooked in the game, with her attitude evidently being one of addiction. The dialogues between the player and the AI that cautions her continue in more intense terms.

and direct a very ambitious short, which aims at making comments about loss and grief, addiction and the concept of the AI, in a way that all of them are connected with each other. And although the approach in that regard is epidermal, expectedly considering the duration of the short, it is also easy to say that their goal is a success, with everything being presented through the minimalist approach of the movie.

Furthermore, the SFX work well, as does the repetitive nature of the short, which actually leads to a very interesting finale. In that regard, Danniel Ni and Anastasia Khvette's editing emerges as one of the best aspects of the movie, in the way these sequences succeed each other and are combined in order to present a compact story.

as the protagonist is quite convincing in the way she presents her deteriorating mental status and the way she defends herself towards the AI, in another of the movie's traits.

“Detaching” is an interesting short, which manages to make the most of its economical approach. It will be interesting to see what the two directors could do with a bigger budget in their hands.

About the author

Panos Kotzathanasis

My name is Panos Kotzathanasis and I am Greek. Being a fan of Asian cinema and especially of Chinese kung fu and Japanese samurai movies since I was a little kid, I cultivated that love during my adolescence, to extend to the whole of SE Asia.

Starting from my own blog in Greek, I then moved on to write for some of the major publications in Greece, and in a number of websites dealing with (Asian) cinema, such as Taste of Cinema, Hancinema, EasternKicks, Chinese Policy Institute, and of course, Asian Movie Pulse. in which I still continue to contribute.

In the beginning of 2017, I launched my own website, Asian Film Vault, which I merged in 2018 with Asian Movie Pulse, creating the most complete website about the Asian movie industry, as it deals with almost every country from East and South Asia, and definitely all genres.

You can follow me on Facebook and Twitter.

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