Panos Kotzathanasis talks about Wim Wender’s Wonderful Days, the inspiration from Ozu’s filmmaking and if it still applies to cinema, the outstanding performance of Koji Yakusho, Japanese toilets, how European or Japanese the film is, and if it deserves the title of masterpiece.
Bad Accent Video Review: Panos Kotzathanasis talks about Perfect Days
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About the author
Adriana Rosati
On paper I am an Italian living in London, in reality I was born and bread in a popcorn bucket. I've loved cinema since I was a little child and I’ve always had a passion and interest for Asian (especially Japanese) pop culture, food and traditions, but on the cinema side, my big, first love is Hong Kong Cinema. Then - by a sort of osmosis - I have expanded my love and appreciation to the cinematography of other Asian countries. I like action, heroic bloodshed, wu-xia, Shaw Bros (even if it’s not my specialty), Anime, and also more auteur-ish movies. Anything that is good, really, but I am allergic to rom-com (unless it’s a HK rom-com, possibly featuring Andy Lau in his 20s)"
