The directorial debut of Phuttiphong Aroonpheng called “Manta Ray” premiered in the Orizzonti section at this year's edition of Venice, scooping the main award...
Author - Marko Stojiljković
One thing is certain: Lee Su-jin's second feature “Idol” (“Woo sang” in the original language) is a head-spinning thrill ride of a...
Right from the start “Öndög” is a strange little film full of paradoxes and red herrings. It is the first Mongolian entry in the competition of...
A pioneering director of 1990s independent Chinese cinema, he is one of the few filmmakers to remain true to his art in spite of the rampant commercialism of...
While the specific sociopolitical moment (the re-emergence of censorship in China affecting the line-up of this year's Berlinale with eliminating Zhang Yimou's...
It has been more than two decades since Hong Kong has rejoined the People's Republic of China, while maintaining its own political system, autonomy, currency...
There is a lot of controversy about the Chinese films being pulled out of this year´s Berlinale. Having in mind that Generation title “Better...
Kei Chikaura was born in Japan in the year 1977. and before he got into filmmaking he majored in economics at the University of Osaka, while studying also film...
The Japanese film producer / writer / director Kei Chakaura tackles the topics of immigration, integration, sense of family and food in his feature debut...
After his screen debut, a horror-thriller “The Tag-Along”, the Taiwanese director Cheng Wei-hao is back with the elaborate mystery crime-thriller “Who Killed...