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Master Classes with Oscar® Documentarians 2018

Hong Kong Documentary Initiative is bringing world class filmmakers -Kirsten Johnson and Mary Stephen to Hong Kong for the Master Classes with Oscar Documentarians programme. Master classes in documentary cinematography and editing will be held on 3 and 4 February; and 7 to 11 February. Professional and aspiring filmmakers in Hong Kong are welcome to apply. For more detail, please refer to:  http://www.hkdocumentary.com/2018-master-classes/

From 2nd February to 8th February, there will be four public events featuring award-winning filmmakers Kirsten Johnson, Mary Stephen, Ruby Yang and Nancy Tong at HKU. The events are free and would be a unique opportunity for journalists and videographers to learn about world-class documentary filmmaking and exchange knowledge.

2nd February-Screening of Cameraperson and Q&A with Kirsten Johnson
Speaker: Kirsten Johnson
Moderator: Nancy Tong
7pm, Studio Room 303, Chong Yuet Ming Cultural Centre, HKU

6th February-Women Make Docs – a Symposium by Oscar Documentarians
Speakers: Kirsten Johnson, Mary Stephen, Nancy Tong
Moderator: Ruby Yang
7pm, Yuet Ming Auditorium, Chong Yuet Ming Cultural Centre, HKU

7th February-Special Lecture by Mary Stephen: “Thinking outside the box: different techniques in documentary editing”
Speaker: Mary Stephen
7pm, Studio Room 303, Chong Yuet Ming Cultural Centre, HKU

8th February-Screening of The Apology and Q&A with Mary Stephen
Speaker: Mary Stephen
7pm, Studio Room 303, Chong Yuet Ming Cultural Centre, HKU

About the author

Panos Kotzathanasis

My name is Panos Kotzathanasis and I am Greek. Being a fan of Asian cinema and especially of Chinese kung fu and Japanese samurai movies since I was a little kid, I cultivated that love during my adolescence, to extend to the whole of SE Asia.

Starting from my own blog in Greek, I then moved on to write for some of the major publications in Greece, and in a number of websites dealing with (Asian) cinema, such as Taste of Cinema, Hancinema, EasternKicks, Chinese Policy Institute, and of course, Asian Movie Pulse. in which I still continue to contribute.

In the beginning of 2017, I launched my own website, Asian Film Vault, which I merged in 2018 with Asian Movie Pulse, creating the most complete website about the Asian movie industry, as it deals with almost every country from East and South Asia, and definitely all genres.

You can follow me on Facebook and Twitter.

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