Japanese Reviews Reviews

Film Review: Neko Atsume House (2017) By Masatoshi Kurakata

Based on the smartphone game bearing the same name, “” sets to put a story to the colorful, yet simple, world of decorating your home around keeping cats entertained.

Neko Atsume House screened at Japan Cuts

Novelist Masaru Sakumoto (Atushi Ito) is going through a rough patch in his career. Once a celebrated author, his work has now come under scrutiny by both his fans and publishing company, with the later forcing him to re-write his story to make the protagonist into a zombie, a choice which Masura begrudgingly goes forward with. As he watches one of his peers rise to stardom, Masaru struggles to stay relevant within the industry.

With the pressure on, Masaru decides that he needs some sort of change in his life and opts to rent a place far away from the city. However, the change of location does not seem to have an immediate effect on his work as he had hoped, delivering another ill fated chapter to his publisher, as his focus shifts to the stray cats who come and visit him. He begins an obsession with the felines, which eventually leads him to work for a cat supply store. It is here that he finds the serenity he has been seeking, and slowly begins to overcome the mental blocks that turned his career stagnant.

“Neko Atsume House” chooses to mimic the color scheme of the game, making it a very bright film, from the lighting of the scenes, to the use of colour in the clothes and locations. This tactic, combined with the amount of product placement (Masaru drinks Red Bull almost religiously), gives the film a commercial feel.

Atsushi Ito pulls off a good comedic performance as Masura, carrying a constant uncertainty with him, which makes his interactions with the rest of the cast a joy to watch. Perhaps my favourite role goes to Tae Kimura, who plays Yoko, the cat store owner, whom playfully antagonizes Masura throughout the film, even using mimicry of the cats he is trying so hard to charm. Since this production is based around the idea of living in a house filled with cats, I feel obliged to mention them here. I am always impressed with any production that can work with animals, as I know it can be a patience testing process, but they seemed to get the most out of their feline models. There is plenty of cute cat footage to be found within this film, which, undoubtedly, is going to be the biggest draw for a lot of people.

The movie will find a wide audience, given its source material and light-hearted content. There is also a lot of praise to be given to how well they were able to adapt a smart phone game into a feature length movie. This is one of the best video game adaptations I have seen, which is an odd statement, given the simplicity of the game. It does well to capture the visuals, music and the relaxing nature of the game. Unfortunately, there is also a lot here that will deter some people. As previously mentioned, the film does have a commercial feel to it and not all audiences will appreciate the constant warm tones and product placement contained in the narrative. It is also pretty simple, as it relies on its source material as the key selling point, so if you are not a fan of the game, or care for cats, it will probably not appeal to you.

Watching this picture, I had no previous knowledge of the game, nor do I have a particular fondness of felines. However, in the end there was enough to keep me entertained, but this is not a production I can recommend outside of anyone that I know would fall under the target market.

About the author

Adam Symchuk

Adam Symchuk is a Canadian born freelance writer and editor who has been writing for Asian Movie Pulse since 2018. He is currently focused on covering manga, manhwa and light novels having reviewed hundreds of titles in the past two years.

His love of film came from horror and exploitation films from Japan that he devoured in his teens. His love of comics came from falling in love with the works of Shuzo Oshimi, Junji Ito, Hideshi Hino, and Inio Asano but has expanded to a general love of the medium and all its genres.

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