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CineCina Teams With Smart Cinema USA to Present the Inaugural CineCina iFest

CineCina teams with Smart Cinema USA for the first available to the public from now through August 31. Available for viewing exclusively on mobile devices via The SmartCinema USA app. Highlighted by Oliver Mays' drama BITTER FLOWERS, Lou Ye's THE SHADOW PLAY, and a mini retrospective of director Midi Z's work, the CineCina iFest, is the organization's latest foray into exploring new exhibition methods following the COVID-19 pandemic's disruption of audiences attending screening events and viewing films in theaters.

CineCina, which has quickly made a name for itself in New York championing Chinese and world cinema, recently concluded its first Online Film Festival, and has received notice for projecting iconic film scenes set in New York City on buildings in Manhattan to celebrate the gradual reopening of the state. CineCina has steadfastly continued its mission to celebrate film and promote filmmaking in the city during a time when everyone continues to deal with the realities of managing the pandemic caused by COVID-19.  

CineCina Film Festival Co-Director of Programming Frank Yan, said, “The last decade has solidified how much we all rely on our mobile devices. For most of us, the small screen of our phones have become the most essential interaction tool. At the same time, film, while being an art form created for the big screen, has found a home on our phones just as it has on big screen televisions, desktop and laptop computers. During a time when we are forced to question much of what we previously accepted as intractable, filmmakers from around the globe are more and more interested in discussing the ontology of cinema. Therefore, we are thrilled to provide a new perspective by launching CineCina iFest with Smart Cinema USA, because we believe for this subject matter, the way we watch the film will also impact how we think about the film.” 

The Pluto Moment

Among the films featured will be Meys' BITTER FLOWERS, about a young woman who goes to Paris with the hope of providing for her son, but returns empty handed; Zang Ming's THE PLUTO MOMENT, about a film director that leads his crew into the mountains for inspiration from “The Tale of Darkness”; and Lou Ye's THE SHADOW PLAY, about a young police officer, who, while investigating a public official's death, discovers a history of corruption that led up to the crime.   

CineCina's iFest will also include a mini retrospective of Midi Ze's work. The trio of films include his directorial debut, the documentary RETURN TO BURMA (2011) about the current state of Myanmar (Burma) upon his arrival back home; the drama, POOR FOLK (2012) about a young man who falls in with hustlers after his sister is the victim of human trafficking; and the thriller, ICE POISON (2014), about a young farmer who is lured into selling crystal meth in order to survive.

For tickets and passes for the CineCina iFest, please go to: https://cine-cina.co/.  For those who prefer the more traditional and big screen watching experience, the option of AirPlay is provided.

The 2020 CineCina iFilm Film Festival Films and Descriptions

BITTER FLOWERS (2017)

Director: Olivier Meys

Countries: China/France/Belgium/Switzerland, Running Time: 95 min         

Lina is happily married and mother to a ten-year-old boy. However, she senses that the world around her is collapsing. It's the end of the 20th century, Manchuria, a formerly prosperous industrial area, can't seem to adjust to China's changes. She decides to go to Paris to earn money to better support her son back at home. However, nothing goes as planned and now she must try to hide the “shameful” reality of her life in France from her loved ones. 

CHINA'S FORGOTTEN DAUGHTERS (2017)

Directors: Vincent Du & Han Meng

Countries: China/Hong Kong, Running Time: 70 min 

Documentary tells an intimate story of one woman's journey as she questions the country's traditional notions of family and identity, revealing the wounds that tear at the heart of Chinese society in the aftermath of the one-child policy.

IN SEARCH OF ECHO

Director: Zhang Chi

Country: China, Running Time: 112 min

An actor with few jobs offers, Mr. Zhu hops on a ferry in search of his wife, on the island where they first met. It is low season on the island, with few visitors in plain sight. Yet Zhu continues to actively photograph everything on the island. He encounters various islanders, gets familiar with a hotel owner, becomes attracted to a primary school teacher, and engages in romance with the manager of a local dance club. While he begins a fascinating journey, his wife is still nowhere to be found…

THE PLUTO MOMENT

Director: Zhang Ming

Country: China, Running Time: 110 min

Wang Zhun, a film director living in Shanghai, travels to the deep mountains of southwest China seeking the inspiration for his next film via the performance of the traditional song of mourning, “The Tale of Darkness.” He is accompanied by his producer, a handsome young actor just beginning his career; and a videographer. Over time, the crew becomes lost in the distant mountains and followed by problems with their lodging and transportation. During the trip, Wang Zhuan decides he wants his estranged wife, a famous actress to be his film, despite her belief that the film will be impossible to make. 

THE SHADOW PLAY (2018)

Director: Lou Ye

Country: China, Running Time: 124 min

During a demolition riot, Tang Yijie, the Construction Committee Director, falls off of a rooftop and dies. Yang Jiadong, a young police officer, discovers that Tang's death is tied up with another case from several years ago. Soon he is framed and suspended from duty, but he refuses to stop investigating. The film unfolds how individuals and family make fortune in the past 30 years since the reform in China began. 

Midi Z Mini Retrospective: The Homecoming Trilogy

Currently based in Taiwan, and possibly Myanmar's most prominent director on the international stage, Midi Z is a protégé of Hou Hsiao-Hsien, one of the most important filmmakers in the Taiwanese New Wave and in the history of world cinema. Midi Z's films tell stories not only about the Chinese diaspora in Southeast Asia, but also about the Burmese diaspora in Taiwan. The subjects of Midi Z's films are often social issues such as poverty and economic displacement that plague Myanmar, his home country, issues which are connected to socio-economic relations with neighboring countries such as Laos and Thailand. 

ICE POISON (2014)

Director: Midi Z 

Countries: Myanmar/Taiwan, Running Time: 95 min 

A poor young farmer in Myanmar pawns his cow for a moped and seeks alternative income as a taxi driver. Along with a woman who is making a new start after escaping an arranged marriage in China, he's lured into selling ice poison (crystal meth) around town.

POOR FOLK (2012)

Director: Midi Z

Countries: Myanmar/Taiwan, Running Time: 105 

After A-Hong's sister falls into the hands of human traffickers, he travels to Bangkok and soon becomes a hustler. With other illegal Burmese, he rips off Chinese tourists and sells raw materials for amphetamines to heavily armed gangsters.

RETURN TO BURMA (2011)

Director: Midi Z

Countries: Myanmar/Taiwan, Running Time: 84 min

Prior to Myanmar (Burma) opening up more to the outside world, the young filmmaker Midi Z returned to his country of origin to shoot a small but remarkable film about what he found there. In poor countries it's all about money – to the point of being tragicomic. The film would mark Midi Z's directorial debut.

About the author

Rhythm Zaveri

Hello, my name is Rhythm Zaveri. For as long as I can remember, I've been watching movies, but my introduction to Asian cinema was old rental VHS copies of Bruce Lee films and some Shaw Bros. martial arts extravaganzas. But my interest in the cinema of the region really deepened when I was at university and got access to a massive range of VHS and DVDs of classic Japanese and Chinese titles in the library, and there has been no turning back since.

An avid collector of physical media, I would say Korean cinema really is my first choice, but I'll watch anything that is south-east Asian. I started contributing to Asian Movie Pulse in 2018 to share my love for Asian cinema in the form of my writings.

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