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Eureka! to release Fruit Chan’s Made in Hong Kong in September 2020

SYNOPSIS

Released to critical acclaim in 1997, the year of the Hong Kong handover, Fruit Chan’s “Made in Hong Kong” was praised as an anarchic masterpiece, a powerful distillation of urban alienation and youthful despair.

Moon (Sam Lee) is a small-time triad, stuck in an endless cycle of pointless violence with no hope of escape. After he and his friends witness the suicide of a young girl, they embark on a journey to deliver two letters she had on her when she died. 

Produced on a shoestring budget, with non-professional actors and using discarded film reels   for stock, the film has been rescued from obscurity and fully restored in 4K in time for its 20th anniversary in 2017 , thanks to the Far East Film Festival, in collaboration with Andy Lau’s Hong Kong production company, Focus Film. 

SPECIAL FEATURES

LIMITED EDITION O-CARD SLIPCASE [2000 Units]

1080p presentation on Blu-ray from a 4K digital restoration

Uncompressed LPCM 2.0 audio

Optional English subtitles

New interview with director Fruit Chan

New interview with producer Doris Yang

New interview with producer Daniel Yu

New interview with Marco Muller, former director of the Locarno Film Festival

A collector’s booklet featuring new writing by film historian Alexandra Heller-Nicholas & Tony Rayns; Fruit Chan’s director’s statement from the film’s original 1997 press release; and an interview with director Fruit Chan from 2017, after the film’s restoration

About the author

Rouven Linnarz

Ever since I watched Takeshi Kitano's "Hana-Bi" for the first time (and many times after that) I have been a cinephile. While much can be said about the technical aspects of film, coming from a small town in Germany, I cherish the notion of art showing its audience something which one does normally avoid, neglect or is unable to see for many different reasons. Often the stories told in films have helped me understand, discover and connect to something new which is a concept I would like to convey in the way I talk and write about films. Thus, I try to include some info on the background of each film as well as a short analysis (without spoilers, of course), an approach which should reflect the context of a work of art no matter what genre, director or cast. In the end, I hope to pass on my joy of watching film and talking about it.

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