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Short Film Review: Stay Home (2020) by Ravi Ramesh Jadhav

Fed up with the ongoing quarantine, a young man decides to head out, as reduced numbers have convinced him that social distancing is no longer required. However, when he wanders the streets to meet up with friends, most are still unwilling to go out. Eventually a friend does decide to meet up with him, but their meeting may prove to be hazardous.

” carries an important social message, one which many countries are starting to give up on, in social distancing and practicing safe health. The film acts as a stark reminder, that even as things become more laxed, it is still important to keep too positive practices in keeping safe. This message rests as the greatest strength of the production, reminding us the importance of our taking care of our health for both ourselves and loved ones.

Taking an informative approach the short film closely reflects a PSA (public service announcement) more than a short film. Much in the way of many micro budgeted PSA's, the focus becomes the message and the technical presentation becomes a second hand consideration.

The film becomes a tiring experience due to a bad sound design that cuts in and out with background noise, simple cinematography which is poorly lit and framed, and stunted performances that feel stiff an unnatural. Overall, the well intended messaging is more hindered by the production than the acting to better channel the directors intentions.

“Stay Home” carries a relevant social message that will probably stay prevalent for some time to come. Consequently, if the production is able to further push that idea home for others, its existence is more than warranted and important. However, as a ‘film' it is utterly unwatchable.

About the author

Adam Symchuk

Adam Symchuk is a Canadian born freelance writer and editor who has been writing for Asian Movie Pulse since 2018. He is currently focused on covering manga, manhwa and light novels having reviewed hundreds of titles in the past two years.

His love of film came from horror and exploitation films from Japan that he devoured in his teens. His love of comics came from falling in love with the works of Shuzo Oshimi, Junji Ito, Hideshi Hino, and Inio Asano but has expanded to a general love of the medium and all its genres.

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