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SeaShorts Film Festival 2020 announces full programme line-up

The has announced the full details and Official Selection for its fourth edition to be held this 12th to 20th September. In the most accessible version of the annual event yet, audiences will be given the opportunity to connect over an entirely digital series of live and online activities throughout the nine-day run.

In adapting to the new normal of social distancing, the Festival continues to shine a spotlight on the enormous depth and diversity of short filmmaking from across Southeast Asia. The pulse of emerging talent can be seen in the competition section. Chosen from 544 entries, the 30 nominees will vie for the coveted SeaShorts Award, with the best Malaysian effort walking away with the Next New Wave Award. In addition to the top honours, the shortlist will be in contention for prizes in direction, screenwriting, cinematography, editing, sound, and acting.

Winners will be decided by a jury composed of Cambodian-French filmmaker Davy Chou, Indonesian cinematographer Anggi Frisca, Philippine producer Bianca Balbuena, Singaporean sound engineer Rennie Gomes, and Malaysian historian Dr. Farish A. Noor.

The daily schedule of screenings is further complemented by other curated highlights, offering compelling insight into the cinematic landscape of the region and beyond. On the bill are showcases of selected works from Japan's Image Forum Festival, Taiwan's Golden Harvest Awards and Kaohsiung Film Festival, Singapore's National Youth Film Awards, as well as the early oeuvre of rising names in the Malaysian scene.

Omnibus film “Mekong 2030” will serve as the curtain-raiser for the Festival, encompassing different outlooks on the eponymous river from the five countries that straddle it.

As always, engagement is at the heart of the SeaShorts experience. Each screening is accompanied by a Q&A session, with forums, masterclasses, and workshops delivered by prominent industry players also on the cards.

“In posing the theme, Reimagining Short Films, Reinventing Southeast Asia, we wanted to challenge filmmakers to deliver truly original narratives and techniques,” said Tan Chui Mui, Festival Founder and Director. “The line-up has exceeded our expectations, and we are excited by their potential in portraying important issues and pushing the boundaries of the medium.”

Nicholas Chee, Festival Co-Director, added, “We are fortunate every year to share some of the most inventive storytelling from the creative voices that call this land home. Filmmakers across the region are constantly upping their game as they provide unique ways of investigating history, exploring the current, and envisioning the future.”

SeaShorts is made possible with the support of The Japan Foundation Asia Center, Taipei Economic and Cultural Office in Malaysia, Taipei Ministry of Culture, Singapore National Youth Film Awards by *SCAPE, Purin Pictures, National Film Development Corporation Malaysia (Finas), Da Huang Pictures, Sinema Media, Aputure Imaging Industries, Deity Microphones, and Zoom Corporation.

Festival passes are now on sale at the early bird price of USD5 until 23rd August and USD10 thereafter. For more information, visit seashorts.org.

OFFICIAL SELECTION FOR THE 2020 SEASHORTS AWARD

 A Closed Mouth Catches No Flies, d. Destian Rendra Pratama, Indonesia
A family becomes the talk of the village's women after a theft.
 A Day Will Come, d. Tinshine Mont and Christine Flemming, Thailand
A young reporter is confronted with visions of internalised fear and paranoia when interviewing the sister of a missing activist.
 A Remembering of Disremembering, d. Cris A. Bringas, Philippines
The journey of Manila's oldest movie theatre from gradiosity to obsolescence is told through the romance between a retiring projectionist and late-blooming actress.
 Aishah, d. Sayyid Hannan, Malaysia
Two siblings deal with the death of their mother while hosting her mourning ceremony.
 BURA, d. Eden Junjung, Indonesia
While danger lurks in a time of political unrest, a scholar leaves his guard post to meet with his lover.
 By The Southern Sea, d. Vincent Kong Yentao, Malaysia
A boy tired of hometown life comes of age when he meets a mysterious woman at the beach.
 Elsa, d. Lim Jen Nee, Singapore
Six-year-old Stanley has a year left to play Disney's Queen Elsa to his heart's content, before he has to start schooling.
 Evening Stroll, d. Candra Aditya, Indonesia
When a couple loses their wallet during a picnic, they rediscover the beauty of their love through conversation.
 Gimbal: A Bet Between Tradition and Pride, d. Sidiq Ariyadi, Indonesia
Superstition and ritual surround a farmer's daughter who wears dreadlocks.
 Here, Here, d. Joanne Marian B. Cesario, Philippines
A boy and and his mother await the fate of his father after a mining accident.
 How He Met My Mother, d. Colin Huang Ruobin, Singapore
A young man attempts to reconcile with his girlfriend's disapproving mother before the couple has to break up for good.
 Hush, tonight the dead are dreaming loudly, d. Kong Pahurak, Thailand
On the anniversary of a political massacre, an unexpected guest sends the memorial into an uproar.
 Kampung Gajah, d. Yoeng Kuok Hong, Malaysia
Wei Hong returns to his hometown, as he seeks to come to terms with old memories and find an old flame.
 Ladies' Choice, d. Celina Peñaflorida, Philippines
While grieving the loss of a long-term relationship, Miriam confides in her mother, leading to a tense argument about motherhood.
 Last Time I Was An Actress, d. Grace Constance Song Jia Ern, Singapore
The director visits her aunt, a former amateur Chinese street opera actress, and the two recreate the heyday of the dying cultural art.
 Mary, Mary, So Contrary, d. Nelson Yeo, Singapore
A phantasmagoric narrative about a Chinese woman named Ma Li who dreams she is Caucasian and called Mary instead.
 Peon, d. June Wong, Shaiful Yahya, and Syaz Zainal, Malaysia
A true story told entirely through a phone screen, a delivery rider gets more than he bargained for when he receives an order to deliver passports.
 Prelude of the moving zoo, d. Sorayos Prapapan, Thailand
A documentary recounting the last day Dusit Zoo was open before it closed to the public in 2018.
 Ruwatan, d. Ernest Lesmana, Indonesia
Sri's weekly routine of accompanying her blind mother to alternative therapy may soon come to an end.
 Shitpost, d. Wimar Herdanto, Indonesia
A motorcycle freestyler tries his hand at being a YouTuber on the wishes of his much younger girlfriend.
 Star, d. Carla Pulido Ocampo, Philippines
Glitches, linguistic differences, and the political incorrectness of the 1950s get in the way as a farmer attempts to communicate with a showbiz star trapped inside a television.
 Stay Awake, Be Ready, d. Pham Thien An, Vietnam
Three young men are engaged in conversation at a street corner, until a motorcycle accident turns their night into something more.
 Sunny Side of the Street, d. Andrew Kose, Indonesia
Amidst the 1998 Jakarta riots, two strangers find themselves sharing a journey home.
 The Cloud Is Still There, d. Mickey Lai Loke Yee, Malaysia
A young woman grapples with clashing religious beliefs as she prays for her terminally ill grandfather.
 The Graduation of Edison, d. Pham Hoang Minh Thy, Vietnam
In a village where every child is born with trees on their heads, problems arise when a girl rejects a traditional rite of passage.
 The Man Who Isn't There and Other Stories of Longing, d. Rom Trishtan Perez, Philippines
Short and innocent glimpses of human connection told through the lens of a photobooth.
 The Quiet, d. Radheva Jegatheva, Malaysia
An astronaut comes to a startling realisation as he ponders in the quietness of space.
 The Slums, d. Jan Andrei Cobey, Philippines
The colourful lives of the Reyes family come under the intense scrutiny of a documentary crew.
 This Is Our Land, d. Nonilon Abao, Philippines
An indigenous mountain community make a stand against a foreign mining company and the destruction of their ancestral land.
 Uncle Goose Waits For A Phone Call, d. Kew Lin Qin Zhi, Singapore
The lonesome Uncle Goose goes to incredible lengths to ensure he never misses an old friend's phone call.

OFFICIAL SELECTION FOR THE 2020 NEXT NEW WAVE AWARD
 Aishah, d. Sayyid Hannan, Malaysia
Two siblings deal with the death of their mother while hosting her mourning ceremony.
 By The Southern Sea, d. Vincent Kong Yentao, Malaysia
A boy tired of hometown life comes of age when he meets a mysterious woman at the beach.
 Kampung Gajah, d. Yoeng Kuok Hong, Malaysia
Wei Hong returns to his hometown, as he seeks to come to terms with old memories and find an old flame.
 Peon, d. June Wong, Shaiful Yahya, and Syaz Zainal, Malaysia
A true story told entirely through a phone screen, a delivery rider gets more than he bargained for when he receives an order to deliver passports.
 The Cloud Is Still There, d. Mickey Lai Loke Yee, Malaysia
A young woman grapples with clashing religious beliefs as she prays for her terminally ill grandfather.
 The Quiet, d. Radheva Jegatheva, Malaysia
An astronaut comes to a startling realisation as he ponders in the quietness of space.

About the author

Rouven Linnarz

Ever since I watched Takeshi Kitano's "Hana-Bi" for the first time (and many times after that) I have been a cinephile. While much can be said about the technical aspects of film, coming from a small town in Germany, I cherish the notion of art showing its audience something which one does normally avoid, neglect or is unable to see for many different reasons. Often the stories told in films have helped me understand, discover and connect to something new which is a concept I would like to convey in the way I talk and write about films. Thus, I try to include some info on the background of each film as well as a short analysis (without spoilers, of course), an approach which should reflect the context of a work of art no matter what genre, director or cast. In the end, I hope to pass on my joy of watching film and talking about it.

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