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CineCina’s documentary double-bill is on Kino Lorber’s virtual cinema

CineCina Film Festival is currently collaborating with 's virtual cinema for some repertory screenings. This week two documentaries are coming online: “” and “”. This double-bill is CineCina's answer for Disney's controversial “Mulan”.

By purchasing a ticket to watch at home one of the films in Kino Lorber's virtual cinema, you'll be supporting CineCina just as if you were attending a screening at our physical location.

For additional details, please refer to the FAQ at the bottom of Kino Lorber's webpage.

Denise Ho – Becoming The Song (2020) by Sue Williams
The documentary profiles the openly gay Hong Kong singer and human rights activist Denise Ho. Drawing on unprecedented, years-long access, the film explores her remarkable journey from commercial Cantopop superstar to outspoken political activist, an artist who has put her life and career on the line to support the determined struggle of Hong Kong citizens to maintain their identity and freedom.

Hooligan Sparrow (2016) by Nanfu Wang
Ye Haiyan (a.k.a Hooligan Sparrow) is labeled a troublemaker by the Chinese government – someone who embarrasses the state with, for example, public protests involving the civil rights of sex workers. In this tense documentary, she travels to Hainan Province to protest a case in which the sexual mistreatment of elementary-age school girls by their principal has gone unprosecuted. As slow as the totalitarian regime may be to punish state officals, it's much quicker to intimidate, harass, and threaten with prison those who question it. Will Sparrow survive her latest battle? And will equally fearless filmmaker Nanfu Wang also disappear into the mouth of the dragon?

About the author

Adriana Rosati

On paper I am an Italian living in London, in reality I was born and bread in a popcorn bucket. I've loved cinema since I was a little child and I’ve always had a passion and interest for Asian (especially Japanese) pop culture, food and traditions, but on the cinema side, my big, first love is Hong Kong Cinema. Then - by a sort of osmosis - I have expanded my love and appreciation to the cinematography of other Asian countries. I like action, heroic bloodshed, wu-xia, Shaw Bros (even if it’s not my specialty), Anime, and also more auteur-ish movies. Anything that is good, really, but I am allergic to rom-com (unless it’s a HK rom-com, possibly featuring Andy Lau in his 20s)"

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