“Limitation of Life tells the struggles of assimilation and identity conflicts within a first generation Chinese-American family in 1950s New York. A riff on Douglas Sirk's Imitation of Life, Limitation of Life is both a homage to the lush 1950s melodramas and a subversion on the genre by front-and-centering a family of POC immigrants, whom 1950s Hollywood rendered voiceless.” (Official)
“Limitation of Life” review is part of the Submit Your Film Initiative
Leading on a strong and aesthetically pleasing note, “Limitation of Life” wonderfully homages the genre of the 1950's melodrama with a color pallet and screen 4:3 ratio. Additionally, the sound design, score, wardrobes and set designs also are favorable in capturing the era. While the visual approach gives the short film a defining presentation, the greater feat lies within balancing homage with criticism of under-representation of Asian culture in Hollywood.
While Asian cultures are still among the most poorly represented in Hollywood, along with people of aboriginal heritage, the short does not take the stance of condemnation of the 50's to explore this sentiment. The romantic take on the era does not act to clash with the message, rather it is used to frame the struggles of the Chinese Immigrant family in an engaging manner. As a result, the social issues the production addresses turns palatable, focusing on education rather than confrontation demanding change, an ideal way for many to help garner positive discussion.
The performances in the production are mostly serviceable, with the youngest member of the family feeling slightly too childish and bratty for the performance. Balancing this out is a strong lead in the mother figure, who carries a competent command over the range of emotions forced upon her character. Ultimately, the performances exist more to be in harmony with the aesthetic of the production and are an admirable attempt to mimic the 50's melodrama.
“Limitation of Life” balances commentary with a love for the golden era of Hollywood, making for a pretty and moving experience with meaning. With this film acting as the second short from director Renkai Tan, it will be interesting to see how the young talent develops in subsequent productions.
