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Short Film Review: Breath (2017) by Nandan

A drug deal goes bad for two Bangalore men trying to work their way out of poverty.

Feeling the desperation of their impoverished existence in Bangalore, two friends turn to selling drugs on the side in order to make a living. However, when a guest shows up unannounced requesting a large purchase, the two act in a way that will drastically change their future.

“Breath” review is part of the Submit Your Film Initiative

” offers up a strong sequence capturing violence through feelings of desperation, adding social commentary to frame how such an act can occur. As a result, while the protagonists are far from being commendable for their actions, there is some call towards empathy for their plight.

However, the relatability of the characters is somewhat hampered by what, feels like, an incomplete narrative. Ultimately, the short feels like one part of a larger production, ending on a rather dark note that could have further amped up the dark themes with follow up narrative. This leaves the film with the feeling that it is a scene meant for a larger production, and while the sequences and narrative of the moment are well realized, the end product will leave audiences wanting more of the story.

Most of the elements of the production tow the line, with the performances being serviceable to the plot, the cinematography competent but lacking flash, and the sound design following in a similar fashion. Overall, there are not many elements to draw the audience in beyond the narrative, which is thankfully engaging and well executed.

“Breath” may feel a bit too short, given the potential for further exploration of a dire situation, but at ten minutes long, director Randan was able to craft a strong story of social despair leading to violence, certainly worthy of checking out.

About the author

Adam Symchuk

Adam Symchuk is a Canadian born freelance writer and editor who has been writing for Asian Movie Pulse since 2018. He is currently focused on covering manga, manhwa and light novels having reviewed hundreds of titles in the past two years.

His love of film came from horror and exploitation films from Japan that he devoured in his teens. His love of comics came from falling in love with the works of Shuzo Oshimi, Junji Ito, Hideshi Hino, and Inio Asano but has expanded to a general love of the medium and all its genres.

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