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Short Film Review: We and Our Time (2020) Anirban Dutta

A montage of images scored with atmospheric noise and music act to capture moments of clarity, where the image in front of us takes precedent over all of life's problems. The short also acts as a travelogue, of sorts, for director conveying the love of exploring new places.

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Director Anirban Dutta explores his fascination with still images and the power they can hold over the observer. A sentiment which feels reflective of his previous work “The Twilight Zone” and “Veins- A Film on Evolution“, with both projects focusing on singular moments to define the narrative. Consequently, “We and Our Time” works to highlight the directors influences in both aesthetic and philosophical approach.

Similar to previous features, the short film also highlights the directors talent and detail for creating engaging soundscapes. With only still images for visuals, the soundtrack elevates the experience beyond just a slideshow, in creating a strong atmosphere. At 30 minutes, the mix of static noise and music becomes hypnotic, with the music being used sparingly to perfectly punctuate certain moments. Ultimately, the attempt to capture the sensation of getting ‘lost in the moment' is wonderfully complemented by the subtle soundscape.

While somewhat difficult to really classify as a ‘film' in the traditional sense, “We an Our Time” paints a fascinating portrait of a filmmaker's perspective on the world, and how it translates into his cinematic work. Additionally, the atmosphere created is one of real relaxation, allowing for the audience to explore the imagery and reflect the sentiments of the film in celebrating the small moments. A concept which is needed in these tumultuous times

About the author

Adam Symchuk

Adam Symchuk is a Canadian born freelance writer and editor who has been writing for Asian Movie Pulse since 2018. He is currently focused on covering manga, manhwa and light novels having reviewed hundreds of titles in the past two years.

His love of film came from horror and exploitation films from Japan that he devoured in his teens. His love of comics came from falling in love with the works of Shuzo Oshimi, Junji Ito, Hideshi Hino, and Inio Asano but has expanded to a general love of the medium and all its genres.

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