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AMP Cinema For Free: The Hand of Destiny (1954) by Han Hyeong-mo

About This Film

Films about the “underground” fights of the spy agencies of North and South Korea have been one of the most significant trends of contemporary Korean cinema. It is interesting, however, to look at how a movie like that would be presented in 1954, just a year after the ending of the Korean War, when the animosity between the two Koreas reached one of its apogees. presents exactly that with ““. Furthermore, the film presents the first onscreen kiss in a South Korean movie, an event which, reportedly, made the recipient housewives whose eyes were beholden to the screen to emit gasps during the infamous scene. (source: koreanfilm.org)

Synopsis

The story revolves around Margaret/Jeong-ae, a North Korean spy who poses as a cabaret girl in a Seoul parlor and Yeong-cheol, a poor student and day laborer, whom Margaret meets when the police accuse him of stealing her wallet. Instead, the woman decides to take him under her wing, buying him clothes and offering him money, in a rather obvious, but also quite dubious as to its purposes, seduction. Eventually, the two of them form a relationship that makes them both happy. The notion, however, does not last for long, since Margaret uncovers a very dangerous secret Yeong-cheol was hiding, which brings her two identities to a direct clash.

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About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

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