AMP Cinema For Free

AMP Cinema for Free: Forever With You (1958) by Yu Hyun-mok

About This Film

will be forever remembered for a film that is considered among the all-time best of Korean cinema, ““. Before reaching the apogee of his career, however, he had to start somewhere, and ““, his earliest surviving film, is a production much different from the aforementioned, mostly following the melodramatic rules of the era, although with a few cinematic “innovations” that actually make it stand out, to a point at least.

Synopsis

The protagonist of the story is Gwang-pil, who, as the movie starts, is in prison but retains his cheerfulness against the teasing of another cellmate, since his love for his “woman”, Ae-ran, keeps him from letting his situation bring him down. Soon, Gwang-pil begins to narrate his story. At a young age, he was a very poor youth who also had to take care of his sick mother, after his father had abandoned them. His only ray of happiness is Ae-ran, a local girl who works at a bakery also trying to support her family. Being desperate for money, both to sustain himself and his mother and to move his romance forward, Gwang-pil falls with two petty thieves, with the three of them eventually robbing a poor woman, before they decide to rob a US Army depot. Instigated by the lack of jobs in the area, but also by a rival for Ae-ran’s heart, Dal-soo, Gwang-pil agrees to go on the job but finds himself the only one arrested after the failed attempt and sent in prison for the first time. However, he manages to escape in order to see Ae-ran once more, only to get involved in an accident that has him back in prison, this time for 10 years, which is where the story finds him. His cheerfulness, however, derives from the notion that Ae-ran keeps sending him food and clothes every week.

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About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

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