AMP Cinema For Free

AMP Cinema for Free: Forever With You (1958) by Yu Hyun-mok

About This Film

will be forever remembered for a film that is considered among the all-time best of Korean cinema, “”. Before reaching the apogee of his career, however, he had to start somewhere, and “”, his earliest surviving film, is a production much different from the aforementioned, mostly following the melodramatic rules of the era, although with a few cinematic “innovations” that actually make it stand out, to a point at least.

Synopsis

The protagonist of the story is Gwang-pil, who, as the movie starts, is in prison but retains his cheerfulness against the teasing of another cellmate, since his love for his “woman”, Ae-ran, keeps him from letting his situation bring him down. Soon, Gwang-pil begins to narrate his story. At a young age, he was a very poor youth who also had to take care of his sick mother, after his father had abandoned them. His only ray of happiness is Ae-ran, a local girl who works at a bakery also trying to support her family. Being desperate for money, both to sustain himself and his mother and to move his romance forward, Gwang-pil falls with two petty thieves, with the three of them eventually robbing a poor woman, before they decide to rob a US Army depot. Instigated by the lack of jobs in the area, but also by a rival for Ae-ran's heart, Dal-soo, Gwang-pil agrees to go on the job but finds himself the only one arrested after the failed attempt and sent in prison for the first time. However, he manages to escape in order to see Ae-ran once more, only to get involved in an accident that has him back in prison, this time for 10 years, which is where the story finds him. His cheerfulness, however, derives from the notion that Ae-ran keeps sending him food and clothes every week.

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About the author

Panos Kotzathanasis

My name is Panos Kotzathanasis and I am Greek. Being a fan of Asian cinema and especially of Chinese kung fu and Japanese samurai movies since I was a little kid, I cultivated that love during my adolescence, to extend to the whole of SE Asia.

Starting from my own blog in Greek, I then moved on to write for some of the major publications in Greece, and in a number of websites dealing with (Asian) cinema, such as Taste of Cinema, Hancinema, EasternKicks, Chinese Policy Institute, and of course, Asian Movie Pulse. in which I still continue to contribute.

In the beginning of 2017, I launched my own website, Asian Film Vault, which I merged in 2018 with Asian Movie Pulse, creating the most complete website about the Asian movie industry, as it deals with almost every country from East and South Asia, and definitely all genres.

You can follow me on Facebook and Twitter.

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