Japanese Reviews Reviews

Film Review: Body Remember (2021) By Keita Yamashina

An engaging script and strong performances make "Body Remember" a deeply engaging and contemplative experience.

Blurring the lines between fact and fabrication, an author and his girlfriend interview a woman about a past relationship for inspiration for a new novel. However, when the woman mysteriously disappears the author is forced to complete the story, not realizing his fictitious narrative climax is tied closely with the truth. “When reality, fiction, and dreams run, a new world emerges.”

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“Body Remember” has its identity largely bound to structure, specifically giving the perception of being an adapted play or one made by a group with such background. Consequently, the sets and interactions are intimate, the actors' emotions feel projected to a wider audience, and there is a heavy focus on dialogue over cinematic experience. The theatrical flow of the production carries into the transitional sequences, with characters leaving abruptly as if preparing a wardrobe change before getting back on stage. Ultimately, the execution and flow of production feels more inspired by live theater than film.

Thankfully, the production leads with a deeply engaging script that folds into itself, blurring the lines of reliable narration. Additionally, there are many wonderful poetic moments sprinkled throughout the runtime, capturing the emotional weight of navigating complex relationships and past trauma. Overall, the production excels at character development, proving merit in its theatrical approach to structure.

Off the back of a strong script, the performances match the depth of the narrative with deep emotional range. As previously stated, there is a tendency to over-project as if trying to reach a large audience, but with moments of subtlety, every actor balances their role in an engaging manner. Ultimately, it is really easy to get lost in the characters' words with how well the performances compliment the script.

The technical aspects of the movie reflect the minimalism and lack of visual flair that can come with the theater, marred by static shots of both environment and performers. Essentially, with simplicity and intimacy establishing the stylistic approach, the film sacrifices any visual intrigue. This lack of identity is not helped by a score that is either non-existent or, at best, atmospherically dull. Undeniably, the presentation is more of a hurdle to get over rather than a means to entice potential viewers.

“Body Remember” is a film that demands patience, but rewards the receptive viewer with lovely moments of insightful dialogue and memorable performances. Additionally, the subtle twists and air of mystery that the production is able to build up is presented in a unique way that should compliment the analytical moviegoer.

About the author

Adam Symchuk

Adam Symchuk is a Canadian born freelance writer and editor who has been writing for Asian Movie Pulse since 2018. He is currently focused on covering manga, manhwa and light novels having reviewed hundreds of titles in the past two years.

His love of film came from horror and exploitation films from Japan that he devoured in his teens. His love of comics came from falling in love with the works of Shuzo Oshimi, Junji Ito, Hideshi Hino, and Inio Asano but has expanded to a general love of the medium and all its genres.

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