AMP Cinema For Free

AMP Cinema for Free: The Youth (1955) by Shin Sang-ok

About This Film

During the 19th year of King Gwangmu's reign, Empress Myeongseong a.k.a Queen Min, conspired with her kinsman Min Gyeom-ho and dethroned Prince Regent Daewongun, the ruling agent. In the nine years that followed, she killed all his subjects and took the throne, additionally abolishing all the policies and reforms set up by Daewongun, that aimed at the people's benefit. Instead, the palace and royal court indulged in a factional feud, extravagance and orgies, while people's lives became more miserable as the government became more corrupt. There emerged a group of youths, children of the royal subjects executed by Min Gyeom-ho who were determined to set the country right. They secretly formed a rebellion group under a scholar named Lee Hwal-min, who was an ally of Daewongun. Hwalminsuk academy was the hub of their activities.

, in yet another effort that loans heavily from similar Hollywood productions and has the distinct purpose to please the audience, used the original novel by Kim Dong-in to come up with an amalgam including historic (melo)drama, romance, action and thriller, in a rather confusing but also entertaining package.

Synopsis

As the film begins, Min Gyeom-ho, whose father was killed by Daewongun, attempts to assassinate him but fails after the interference of Jae-yong, a supporter of the Prince Regent. Lee In-hwa, who is posing as a young boy in the Academy Prince Regent inhabits, (although a number of people seem to know the fact) is to be married to Gyeom-ho, and proceeds on freeing him. Eventually, the three of them become allies and fight against Min Gyeom-ho and his peers, although their efforts are, evidently, bound to fail.

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About the author

Panos Kotzathanasis

My name is Panos Kotzathanasis and I am Greek. Being a fan of Asian cinema and especially of Chinese kung fu and Japanese samurai movies since I was a little kid, I cultivated that love during my adolescence, to extend to the whole of SE Asia.

Starting from my own blog in Greek, I then moved on to write for some of the major publications in Greece, and in a number of websites dealing with (Asian) cinema, such as Taste of Cinema, Hancinema, EasternKicks, Chinese Policy Institute, and of course, Asian Movie Pulse. in which I still continue to contribute.

In the beginning of 2017, I launched my own website, Asian Film Vault, which I merged in 2018 with Asian Movie Pulse, creating the most complete website about the Asian movie industry, as it deals with almost every country from East and South Asia, and definitely all genres.

You can follow me on Facebook and Twitter.

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