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JAEFF 2021 Programme Announcement!

Japanese Avant-garde and Experimental Film Festival are very excited to announce their full programme for JAEFF 2021: Bodies. Curated alongside the delayed 2020 Olympics, this year’s festival aims to explore the human body – in motion, at rest, in agony and in ecstasy.

Tickets go on sale to Barbican Members on 21 July, and to the general public on the 22nd. Stay tuned to our socials for further info (and links!).

JAEFF look forward to seeing you this Autumn!

Thursday 16/9

18:00 – Nanami: The Inferno of First Love (Susumu Hani, 1968) + A.I. Mama (Asuka Lin, 2020)

Friday 17/9

18:00 Portrait of Mr O (Chiaki Noagano, 1969) + Anma (Takahiko Iimura, 1963) + Rose Color Dance (Takahiko Iimura, 1965) + In Passing (Anne Verheij, 2019)

20:30 – Lovers are Wet (Tatsumi Kumashiro, 1973)

Saturday 18/9

Navel and a Bomb (Eikoh Hose, 1960 + Dual Enframe (Kioto Aoki, 2018)

17:50 – Boxer (Shuji Terayama, 1977) + Transparent, the world is. (Yuri Muraoka, 2019)

Sunday 19/9

11:00 – Japan’s Cinematic Body (Panel Discussion)

13:20 Nippon Express Carries the Olympics to Tokyo (Shinkichi Nova and Toshi Matsumoto, 1964) + Tokyo Story (Hal Torii, 2019)

16:00 – Tokyo Olympiad (Kon Ichikawa, 1964)

About the author

Rhythm Zaveri

Hello, my name is Rhythm Zaveri. For as long as I can remember, I've been watching movies, but my introduction to Asian cinema was old rental VHS copies of Bruce Lee films and some Shaw Bros. martial arts extravaganzas. But my interest in the cinema of the region really deepened when I was at university and got access to a massive range of VHS and DVDs of classic Japanese and Chinese titles in the library, and there has been no turning back since.

An avid collector of physical media, I would say Korean cinema really is my first choice, but I'll watch anything that is south-east Asian. I started contributing to Asian Movie Pulse in 2018 to share my love for Asian cinema in the form of my writings.

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